EP Reviews #1: Helene Greenwood – The Break E.P.

Helene Greenwood The Break EP Cover

Helene Greenwood – The Break EP

(Washaway Records) 

Review by: @tvermar

The Break EP is the debut release from up and coming London based singer-songwriter Helene Greenwood.  Helene comes from a well studied musical background, but already on her debut, shows that she wants to follow her own musical instincts rather than adopt a particular style or musical method.  

The EP comprises of 5 tracks, including Helene’s reading of two familiar classics ‘In Between Days’ by The Cure and ‘Fools Rush In (Where Angels Fear to Tread)’ by Johnny Mercer and Rube Bloom.  Her version of ‘In between Days’ is particularly moving, taking The Cure original and backing it with something totally unexpected; a barely there orchestration, which reminds this listener of strangely enough, Spacemen 3 of all bands – in their quieter moments. 

This should not detract from the 3 originals (listener’s assumption) on the EP, ‘Break In Break Out’, ‘After the Fire’ and ‘In The Sunshine’.  These are really the highlights of the EP.  Helene presents a perfect mix of beguiling lyrics, enchanting vocals and interesting musical arrangement.  There is a bit of English folk, mixed with a jazz-like ease of touch, all complemented by Helene’s haunting yet childlike vocals. 

This is a great EP and has really got us all excited about the release of Helene’s full-length debut album, ‘Collectable You’, later in the year.

Helene celebrates the release of the EP with a show at the Union Chapel, London this Friday 17th May. Tickets here

Helene Greenwood press pic

 

 

Some Of It Is True Loves…Vol.1: #3 Donna Fullman

Loves...Vol.1

Donna Fullman – I Can’t Sleep

Donna made a big impression on us the first time we saw her play live. A beautiful acoustic version of ‘Hello Shanghai’ from the EP Happiness + Victory created a special kind of magic in the room (you know what that music magic feels like don’t ya?)

The more we got to know Donna and her work the more we came to appreciate not only her voice, but also her songwriting skills and her dedication to the art – I think you’ll see from the below interview that Donna puts a lot of thought into the craft of songwriting. Debut album ‘Inner World’ has many fine tunes on it – including I Can’t Sleep, which Donna kindly donated for our debut release.

Please click on the album cover above to grab a free copy of our album, and click on the Inner World cover to find out to hear more of Donna’s excellent tunes.

Hi Donna, how’s that insomnia?

Ha! My conscience is clear – so I sleep quite well now thanks! Like a baby in fact.

Did the person who inspired ‘I Can’t Sleep’ get their comeuppance?

Well, let’s just say that when I first began writing ‘I Can’t Sleep’ I certainly had someone in mind. Doing me wrong and lying about it makes for some pretty sleepless nights. Towards the end of finishing the song – we’re talking a few years here! – I also felt that the song had a wider message to do with the powers that be – they just happen to be the blue party:“If I can’t sleep why can you? Laying your dirty, dirty secret on your pillow blue”.

How did the song come about – was it an easy or hard one to complete?

Well, as I say, it took a long time to complete – some songs are like that. They urge you to start them but for some reason linger until you’ve fully grasped the message I guess. Then, once understood, you can share it authentically. That’s when music reaches people.

Is it representative of your work as a whole?

It certainly carries a lot of what I care about – message, space, a Roy Orbison cinematic feel I think – it also builds slowly and then delivers by the end – I like to think I make music that promises to deliver and delivers – if you listen – patiently! For me Music is a commitment the listener enters into – I certainly hate to feel cheated by a song if I have given it my attention and by the end it falls flat, fails to resolve somehow or leaves me thinking what was all that about?

Cover Art

Where does it rank among the others on ‘Inner World’?

In my heart they are all my babies! Inner World took nine months to record and the labour was painful! I love them all the same, as any good mother would. It’s track 9 on the album – which is an auspicious number.

What are you up to on the music front at present?

I’m writing new material for my next release – it might be a live recording to capture the energy and magic you create when playing live. I like the idea of it being quick and painless without compromising on quality.

I’m also playing more solo shows and hope to play to wider audiences throughout Europe, I want to share the album.

Any live shows on the horizon?

Yes – some really exciting shows actually – May is busy!

Sat 11th May

Lindfield Arts Festival / Sussex / Tickets via website or donations on the day

I’ll be playing a solo acoustic set in the Church at 1.30pm

http://www.lindfieldartsfestival.com/buy-tickets/festival-activities/music-festival/

Mon 13th May

Radio Reverb LIVE SESSION on the Pete Jones Show – tune in – 97.2fm

http://radioreverb.com/

Wed 15th May

Supporting Paper Aeroplanes at Komedia, Brighton, doors 7.30pm, £8/£10

http://www.komedia.co.uk/brighton/music/

In Bloom #11: The Hundredth Anniversary

Jump Cover
Considering we are Brighton based (give or take a few miles) and The Hundredth Anniversary currently reside in Brighton, the event of our paths crossing was due in part to friends as far apart as Vancouver and Newcastle!
Music connoisseur and our new buddy, @bandswithiphones is very knowledgeable about the Brighton music scene, even though the Atlantic and a fair amount of land separates her home in Vancouver and our seaside town. Anyway, she’d been constantly reminding us to go see an upcoming show with one of her favourite new bands, Hella Better Dancer. Always one to follow tips, we checked it out and noted that one of the other bands on the bill was The Hundredth Anniversary – whose new 7″ single ‘The Jump’ had landed on our door mat, courtesy of one of our other ‘new music’ gurus, Tiny Lights Recordings (based in Newcastle).
The rest is history!  We love this record, @bandswithiphones loves this record, it’s probably fair for me to say Tiny Lights love this record and hopefully you will too. Let’s give a big someofitistrue welcome to The Hundredth Anniversary!
 

To start with, for the uninitiated (us), who are The Hundredth Anniversary?

Hello! We are Eleanor, Dem, Andy and Chris. We do guitar/vocals, drums, guitar and bass, in that order.

Whose/what Hundredth Anniversary inspired the name?

Things it is not anything to do with: the sinking of the Titanic, the Tour de France, a war. It may have something to do with the reggae album by Burning Spear, but I couldn’t tell you that for sure.

It was ‘The Jump’ 7″ single that caught our attention – please tell us about this particular tune?

Well, it’s a song that was one of the nice ones where it falls out quite easily… you just play it, and it works. It’s about a small moment underwater.

What 3 words best describe the Hundredth Anniversary sound?

Loud, English and Hazy.

Your single was released on the excellent Tiny Lights Recordings – how did you guys hook up?

I contacted Paul from Tiny Lights when I was reading a bit about Fantasy Rainbow (now recording as the excellent Something) – FR was the first artist Tiny Lights put out and I really liked the sound of the music and the label. So I emailed and said ‘Hey!’, as you do… and so it went on. Tiny Lights are brilliant.

You are currently based in Brighton – is this your home town?

It is yes, although we’re all from different parts of the country originally. It’s our new home.

What other Brighton bands should we be checking out?

Royal Limp, Sealings, Tigercub, Ancient Times, Hot Glass and Tyrannosaurus Dead- my other band! There are actually so many good bands here, it’s hard to just name a few.

What would be Hundredth Anniversary’s dream place to play? 

An architecturally interesting place, not too massive, in an exciting town or city we’d never been. Where it was sunny and we had lots of spare time to also explore the place we were playing.

What bands would join you on the bill at that ‘dream’ gig?  

That’s hard – I am tempted to say Lower Dens, one of my favourite bands, or The Walkmen or Blink 182 for Dem, Andy and Chris. But one of the things I love is playing shows with friends… the atmosphere is always great, and it’s really nice to show your support and be supported by nice people. It’s also great playing with someone you’ve never heard of who is amazing and/or really nice. So if someone could put together a secret line up for us to play with loads of nice & good bands that I will love, that might be my dream line up.

What inspires Hundredth Anniversary to get out of bed in the mornings/afternoons? 

Day trips, band practice, sunshine, bike rides, ideas.

Please tell us some of the good & bad things about being in a band.

Bad things: it makes my bank account really empty. Carrying heavy stuff everywhere.

Good things: friends, loud music, excitement, making stuff.

There has been a bit of a furore in the music press due to the Yeah, Yeah, Yeahs speaking out about recording shows on phones/video – is this type of recording annoying for bands (it is for this punter!) ?

I totally get it as a gig goer – it really annoys me when someone is waving their crappy digital camera in front of your face while you’re trying to enjoy a band. The worst was when I was watching one of my favourite bands play, and someone who had been talking loudly behind me through the set elbowed their way in front of me trying to do some arty swooshy filming of the song. Obviously it looked shit and was really annoying.

But, as a band… it doesn’t bother me. I think if you benefit from people talking on Facebook and Twitter and stuff about you, you have to be kind of open to them filming a bit and taking pictures and so on.

And so I don’t think I’d ever say ‘no phones’… but I’d like for people to be respectful of each other in their use of phones… that’s what it comes down to I think.

What is happening next for the band?

We have some free gigs coming up in Brighton and London in the next few weeks, then some more fun shows over the Summer that we can’t quite announce yet. We’re rehearsing new songs at the moment and saving up money for recording and maybe a video. All our dates are on our website here: 

Website - http://www.thehundredthanniversary.com/

Soundcloud - https://soundcloud.com/thehundredthanniversary

Facebook - https://www.facebook.com/pages/The-Hundredth-Anniversary/206985939397584

Brighton Show Poster

Album Reviews #5: Co-pilgrim ‘A Fairer Sea’

Cover

Co-pilgrim ‘A Fairer Sea’

On the surface Co-pilgrim’s album, ‘A Fairer Sea’ ticks all the boxes to qualify as a damn fine guitar-pop record. It has catchy hooks, glorious harmonies and a host of memorable tunes. Straight out the blocks comes ’22′ an insanely catchy song that will have you singing along in no time. ‘Come On Come On’ does a similar job, driven along by chiming guitars and layers of lush vocals, it comes across like an early Byrds foot stomper. Although a little slower, the chorus of ‘I’m Going To The Country’ sums up one of the key things we love about this record. It is a simple refrain but the layers of rhythm section, keys and gentle strumming, combined with the beautiful vocals envelop you and whisk you away to the countryside, porch and river that are being sung about.

So far this all seems very idyllic but, if scratched, every surface reveals something underneath. In the case of ‘A Fairer Sea’ this seems to be a great deal of love, loss and heartache. Lead man, Mike Gale, has a beautiful voice but also a willingness to share with his listeners a lyrical poetry that, when combined with his lilting vocal and the angelic harmonies of his bandmates, cannot fail to break your heart a little. From the off we are aware of a, ‘You shaped hole in my heart’ but for us this strain of melancholy hits home most powerfully in the beautifully haunting, ‘Roslindale’ where, ‘nothing more than memories are riding with me now’. This is truly stirring songwriting.

Co-pilgrim have managed to pull off this delicate balancing act with great dexterity. You love the ups and live through the downs, but you stay for the complete ride. ‘A Fairer Sea’ packs a punch both musically and emotionally – for those very reasons it is a record to be cherished.

(we wrote this review a month or so ago for our friends at Fatea, however we love this record so much we wanted to make sure it reached as many people as possible!)

News #23: New Video – Peter Bruntnell ft. Rumer – ‘Played Out’

Although we were aware of Peter Bruntnell the musician, our knowledge barely stretched further than knowing of him as a ‘cult’ figure on the UK Americana scene. We had a few of his songs from various Loose Records compilations, enjoyed them and had always intended to delve into the back catalogue. However, as is often the way, we never got round to it and those tunes became just pleasant surprises whenever they came up on shuffle.

A new friendship with a Bruntnell super-fan (#1) put Peter back on our radar and based on this recommendation we caught one of his shows at SXSW this year. I remember it being incredibly loud, Peter having a certain swagger and a set crammed full of quality songs. I also remember a man down the front eyes closed, taking it all in and singing every word back at Peter (super-fan #2).

The point of this preamble is that it would seem that Peter Bruntnell is an artist worth investigating, and for those like us who haven’t got round to it in the past, Loose Records have kindly made the job very easy due to the upcoming release of, ‘Retrospective‘ , ”a 17 track compilation of Peter’s songs from 2004′s Played Out, up through until 2011′s Black Mountain U.F.O.album”.

We didn’t need anymore convincing, so this beautiful version of ‘Played Out’ with Rumer just whets the appetite even more!

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For those of you wanting to catch a Peter Bruntnell live show then we will be doing our level best to get to Palmfest, put together by the good people at Brighthelmstone Promotions

Palmfest 2013

News #22: Brandy Zdan ‘Mourning Dove’ – Free Download (ltd)

Mourning Dove 2

Brandy Zdan recorded some amazing music as part of the duo, Twilight Hotel. She is now branching out on a solo career and the first offering, ‘Mourning Dove’, has been made available today (and as a free download for a limited amount of time).

We already knew that Brandy had a great voice and this stripped back tune lets us appreciate it in all its glory.  The apparent simplicity of the guitar work lets you focus on the vocal and the layers of emotion that are evident as the song unfurls. You can literally feel the anguish, pain and confusion in the refrain, ‘we came this far without tearing it apart’.

As the song itself spreads its wings, anticipation grows but instead of giving you the big ending you were expecting, it stops abruptly. For me this is a master stroke as instead of feeling cheated, I’m going straight back to the beginning and playing it again!

This is Brandy’s first offering from her debut EP, Lone Hunter, which will be out later this year. 

News #21: Roxanne de Bastion – Album Launch & New Video

the_real_thing_cover

Regular followers of this blog will know that we have been big fans of Roxanne since the spiky-pop gem that is ‘Red & White Blood Cells’ wriggled its way into our eardrums (YOU!,…WHITE!, YOU!,…WHITE! etc).

We’ve kept an eye on Roxanne (in a non-creepy way) since our first interview and were excited to get our hands on a copy of debut album, ‘The Real Thing’ – which is produced by Gordon Raphael (The Strokes, Regina Spektor). We were not disappointed as it is a fine record – one we will review in detail soon.

The album is officially released today (19th April) and was preceded earlier this week by a new video for one of the album highlights, ‘Some Kind Of Creature’.

Pop over to Roxanne’s website to find out how to get your hands on, ‘The Real Thing’: http://www.roxannedebastion.com/

In Bloom #10: Society

Society banner

New Single: Society – ‘Can’t Go Home’

After bringing you electro-pop and indie guitar-pop on the blog this week, we find ourselves back on more familiar territory with the new single from alt-country rockers, Society.

‘Can’t Go Home’ is a strong offering from the band, who already have two albums under their buckled belts. It has a great hook, ‘I Just Can’t Go Home’, a lyric that draws you in with the promise of a compelling story and musically keeps you on your toes by taking a few unexpected directions. It exudes a confidence throughout that gives the impression of a band getting into their stride – a great sign for the album to follow later this year.

The single can be purchased via: Amazon – http://goo.gl/0tCJx  iTunes – http://goo.gl/MaAR7

We caught up with Matt from the band to talk about the single, the development of the band and how not to look cool in a cowboy shirt!

Hi Society – how are you guys doing?

Hi! We are all doing good thanks, busy working on new material for the next record.

Have you been pleased with the reception to ‘Can’t Go Home’?

Yes, so far so good. It’s been less than a week since release but we’ve had some great complimentary feedback already so that’s encouraging.

How long have you had this tune up your sleeves? How did it come about?

It’s been around and in our live set since the tail end of last summer. It was one of those songs that came fairly well formed rather than just being an idea that is built upon and turned into a song. To a large degree it was obvious how it was going to go from the start, as the bedrock was already there, so the work was really just figuring out how it was going to begin, how it fit together instrumentally then being able to perform it well. As far as the lyric goes it’s kind of a continuation of a previous song ‘Wheel’s A’ Turning which was the lead off track on our last album, I got the idea to go back to these two people a little further on down the road and pick up their story again. This is the first time we’ve released a single and this song seemed like an obvious choice.

This sets a high benchmark for the next album – is it ready to go? Tell us about it?

Thanks. We are working on it at the moment, it’s a process of bringing the raw tune in and then us all kicking it into shape, we work on the arrangements and harmonies together. With this record we have decided to work more with one song at a time rather than go in and track a load of stuff and then set about finishing it and so far it’s been a great way of focusing and not spreading yourself too thin creatively. We record as a 3 piece, which is what we are as a live performing act and then get guests in to contribute to what we’ve laid down; we like to do that and add different instruments from just guitar bass and drums but if you’re trying to do that with a big bunch of songs in one hit  it can get a bit messy and confusing…and stressful as we’re not in a position of having musicians come to the studio and track at the same time as us as we’d much prefer . This way is more fun and it’s great to have a song mixed before moving onto the next one as the satisfaction of completing it keeps the fire stoked –  so  to sum that up it’s a slightly different approach from the previous records. I can’t say what it’ll be like as a whole, as I never really know until it’s finished but I’m confident in the material that’s coming up. My only brief with doing albums is that it’s varied and colourful but has continuity so the songs hang together right. No rock operas though…yet. We’re shooting for an Autumn release.

How has your sound evolved through ‘Songs From The Brickhouse’, ‘A Crooked Mile’ and the new record?

Well ‘Songs From The Brickhouse’ was a bunch of recordings where we were trying things out and really learning how to make an album. I did have the same brief that I mentioned before but it was the first time round so all very new. We worked with a producer on a couple of tracks and I learned a lot just by watching and taking stuff in and seeing what it takes to get to the finish line. So at the end it was like, ok that’s what we sound like. I’m really proud of that record as it was our first and it meant so much just to get it done. It was well received which was great for a debut.

‘A Crooked Mile’ was recorded in a shorter time period and when I listen to it I can hear that and all the songs seem much more connected as a result. Having said that, we had material for the second record that existed at the time of the first record, so both those albums seem closely related to me. The second album is more ambitious I think. There are a few songs where I think we really nailed what we were going for and are really satisfying to hear back and maybe a couple that didn’t quite come off as I’d of hoped but some of that was due to time constraints. Again I’m proud of it and everyone involved really put in the effort. We’d obviously had more experience by then so we approached it more professionally. You never stop learning really and there are always new things to try or indeed things you listen back to and think you might approach it differently next time. We must have got something right I guess as we had some really great reviews and radio play.

With the new record so far we seem able to figure out what does and doesn’t work much more quickly just from experience and get to the nub of it. Everyone is playing great and pitching in really well. As far as how the sound has evolved I guess all that stuff will have some influence on it. There are a lot of different interesting things coming up and so at this point it’s hard to define an overall direction. We want it to be able to work well live and keep the attention of an audience in that setting so we’ve been trying to keep it fairly up and engaging so far but it could take another turn and as I mentioned previously, I never really know until it’s finished and out there. We’re really happy and buzzing with what is coming up so far.  A couple of people have said that the single is a slight departure and does it herald a new beginning, which is good to hear and which I’m quite excited by,  it does feel like a fork in the road to some degree but I’m so close to it everyone else will have to decide!  We’ll see…..

This single is your first on ‘At The Helm’ records – how did this link up come about – are you planning on working together again?

It’s our first single full stop. I met James from ‘At The Helm’ at a gig and we got chatting, we kept in touch and then later on talked about doing something which has led to this. James has been good to work with and straight up with everything as well as being energetic and a good sounding board. Our previous records were self-releases so it feels good to be involved with this label. And yes we are planning to put the album out on ‘At The Helm’ records and on all formats so there will be a physical release. This digital single is the kick off and a way to let people know we’re still here and that there is more coming.

If Society got to choose the three Glastonbury headliners who would you go for?

Deadstring Brothers, Danny & The Champions Of The World, and a Tamla Motown Revue – that stuff would be great for big happy singalongs.

Is it impossible to not look cool in a cowboy shirt? 

Ha! Not if you have a bad haircut. Maybe that’s what a stetson is for….. Get the barnet right and then everything else will fall into place. That’s my tip. There are some dodgy cowboy shirts, I should know…

I’ve not seen you play live yet – how would you describe the Society live experience?

Raw and stripped down but hopefully sweet. We play as a trio live so it’s really the bare bones but you get the essence of the songs and full three part harmonies. Guest musicians are always welcome though!

When will we get a chance to hear the new single (& album) live?

There are shows coming up in the Spring and Summer so check our webpage for dates. There are songs from the forthcoming album creeping into our live show already and we’ll be touring it on release.

Where can people go to find out more about you?

societymusic.net

facebook.com/societymusic

twitter.com/societymusic

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Society have been added to, what was already an excellent bill, the Americana extravaganza that will be Palmfest!

News #19: Curxes – Further Still. New Video & Free Download

We happily admit to not being the coolest kids on the block (to old), but we do our best to follow up on tips from people whose taste we trust.

Many friends were telling us to catch up with the output of Brighton based Curxes, and our introduction, new tune ‘Further Still’ , does not disappoint.

The track is still (at time of writing) free to download here: http://curxesuk.bandcamp.com/track/further-still-free-download

Hope you enjoy x

Some Of It Is True…Loves Vol.1: #1 Barricades Rise

Loves...Vol.1

As you may already be aware, we have partnered with new label Hidden Trail Records, to release a compilation of songs featuring artists that  have been on the blog. You can download the album for FREE here: hiddentrailrecords.bandcamp.com 

Over the next few weeks we will be chatting with the musicians to find out a little more about the particular track they have supplied, and also to catch up on their upcoming plans.  First up are the gentlemen from Barricades Rise, who provided the track ‘Sleepwalkers’:

Hi Barricades Rise, how are the pair of you?

Jolly well thank you.

Please tell us the story behind ‘Sleepwalkers’?

Jonathan: Like a few songs off our debut album, it was written before Barricades Rise was born and was originally a rock song with full distortion and a big beat. When we started doing acoustic shows we stripped back many of the tunes we did in our 5-piece rock band and  this one worked really well. From the moment it became a Barricades Rise song it was a live favourite, however, we struggled recording the album version and it came extremely close to not being included. Just before the finished album was sent to the printers, we tried it one more time and managed to capture the feel we wanted. It’s about running away and shunning responsibilities – a real man song :)

It has a video as well, were you naturals in front of the camera?

Jonathan: I don’t think I was a natural, it was the first time we had done anything like that but it was fun.

Michael: You might notice that I was the one running all over the place whilst Jonathan stood and sang to the camera. It was a tiring day to film but great; I must have been a natural as the director asked me to be the lead in his own short film!

2012 was a big year for Barricades Rise – what were the highlights?

Michael: The birth of my son Oscar in January, then learning how to be a dad!

Jonathan: Same here but with a different son. Both of us became dads last year and that has been a big learning curve. As for the band, signing to Spectra records towards the end of the year was pretty big.

What are your plans for 2013?

Michael: Our label will release our album All I Have Is Here in the summer and we’re booking a tour at the moment to promote it. We’ll be on the road a lot.

Jonathan: We are also starting to write tunes for album 3. It will take a while but rough demos are being done and ideas are being thrown around.

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