Some Of It Is True Loves…Vol.1: #3 Donna Fullman

Loves...Vol.1

Donna Fullman – I Can’t Sleep

Donna made a big impression on us the first time we saw her play live. A beautiful acoustic version of ‘Hello Shanghai’ from the EP Happiness + Victory created a special kind of magic in the room (you know what that music magic feels like don’t ya?)

The more we got to know Donna and her work the more we came to appreciate not only her voice, but also her songwriting skills and her dedication to the art – I think you’ll see from the below interview that Donna puts a lot of thought into the craft of songwriting. Debut album ‘Inner World’ has many fine tunes on it – including I Can’t Sleep, which Donna kindly donated for our debut release.

Please click on the album cover above to grab a free copy of our album, and click on the Inner World cover to find out to hear more of Donna’s excellent tunes.

Hi Donna, how’s that insomnia?

Ha! My conscience is clear – so I sleep quite well now thanks! Like a baby in fact.

Did the person who inspired ‘I Can’t Sleep’ get their comeuppance?

Well, let’s just say that when I first began writing ‘I Can’t Sleep’ I certainly had someone in mind. Doing me wrong and lying about it makes for some pretty sleepless nights. Towards the end of finishing the song – we’re talking a few years here! – I also felt that the song had a wider message to do with the powers that be – they just happen to be the blue party:“If I can’t sleep why can you? Laying your dirty, dirty secret on your pillow blue”.

How did the song come about – was it an easy or hard one to complete?

Well, as I say, it took a long time to complete – some songs are like that. They urge you to start them but for some reason linger until you’ve fully grasped the message I guess. Then, once understood, you can share it authentically. That’s when music reaches people.

Is it representative of your work as a whole?

It certainly carries a lot of what I care about – message, space, a Roy Orbison cinematic feel I think – it also builds slowly and then delivers by the end – I like to think I make music that promises to deliver and delivers – if you listen – patiently! For me Music is a commitment the listener enters into – I certainly hate to feel cheated by a song if I have given it my attention and by the end it falls flat, fails to resolve somehow or leaves me thinking what was all that about?

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Where does it rank among the others on ‘Inner World’?

In my heart they are all my babies! Inner World took nine months to record and the labour was painful! I love them all the same, as any good mother would. It’s track 9 on the album – which is an auspicious number.

What are you up to on the music front at present?

I’m writing new material for my next release – it might be a live recording to capture the energy and magic you create when playing live. I like the idea of it being quick and painless without compromising on quality.

I’m also playing more solo shows and hope to play to wider audiences throughout Europe, I want to share the album.

Any live shows on the horizon?

Yes – some really exciting shows actually – May is busy!

Sat 11th May

Lindfield Arts Festival / Sussex / Tickets via website or donations on the day

I’ll be playing a solo acoustic set in the Church at 1.30pm

http://www.lindfieldartsfestival.com/buy-tickets/festival-activities/music-festival/

Mon 13th May

Radio Reverb LIVE SESSION on the Pete Jones Show – tune in – 97.2fm

http://radioreverb.com/

Wed 15th May

Supporting Paper Aeroplanes at Komedia, Brighton, doors 7.30pm, £8/£10

http://www.komedia.co.uk/brighton/music/

Some Of It Is True Loves…Vol.1: #2 American Werewolf Academy

Loves...Vol.1

American Werewolf Academy were one of the surprise packages in our 2012 box of musical treats. Hailing from Dallas, this trio blew us away when we caught a live set that bristled with attitude and great three minute punk-rock-pop tunes. The UK release of album ‘Everything Alright So Far’, showcased the talents of the band and highlighted their ear for a melody and sense of fun.

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You can therefore imagine that we were very pleased that American Werewolf Academy kindly offered a song to go on our debut compilation album. ‘Do Whatever’ follows the ‘classic’ AWA template – rocking guitars, catchy hooks and a ‘dare you not to jump up and down’ attitude – the perfect album opener!

We caught up with head ‘werewolf’ Aaron to find out a bit more about the track:

‘Do Whatever’ are these the rules AWA live by?

It’s sort of a silly song. There’s a hedonistic theme in lots of our songs, particularly our earlier songs. I’d like to do whatever I want. Usually that involves drinking lots of alcohol and eating nachos. Exciting, I know. When I was in the UK I didn’t see any nachos. That’s a shame.

How long has this song been around? How did it come together? Was it pretty straight forward to record?

This was the first song I wrote for the new record but we didn’t wind up using it. It just didn’t fit the feel of the record. We recorded it pretty quickly straight to 2″ tape without using any computers. We recorded it caveman style.

It sounds like a lot of fun to play – is that true? 

Yeah, it’s a fun one to play. We still play it from time to time. It’s an easy one to remember, which helps because we’ve got a bunch of songs.

What are AWA up to at the moment – anything new on the horizon?

I’m really excited about the new record. It will be out on Damnably sometime in the fall I imagine. There are some good songs on there and the artwork looks really cool. I want to get out and play more, we’ve been laying low getting the record done. Hopefully we’ll get out of town again and play some new places. We’re talking to Wussy about some possible dates. I’d like to hang out with those guys again.

For anyone who loves ‘Do Whatever’, where do you recommend they go next to discover AWA? 

There’s a few free songs on our website, there’s also Youtube. The best thing is just to come out and see us live.

If you get the chance, we wholeheartedly recommend the live ‘AWA’ experience – for now though please help yourself to ‘Do Whatever’ and the rest of Some Of It Is True Loves…Vol.1, for FREE: www.hiddentrailrecords.bandcamp.com

Album Reviews #5: Co-pilgrim ‘A Fairer Sea’

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Co-pilgrim ‘A Fairer Sea’

On the surface Co-pilgrim’s album, ‘A Fairer Sea’ ticks all the boxes to qualify as a damn fine guitar-pop record. It has catchy hooks, glorious harmonies and a host of memorable tunes. Straight out the blocks comes ’22′ an insanely catchy song that will have you singing along in no time. ‘Come On Come On’ does a similar job, driven along by chiming guitars and layers of lush vocals, it comes across like an early Byrds foot stomper. Although a little slower, the chorus of ‘I’m Going To The Country’ sums up one of the key things we love about this record. It is a simple refrain but the layers of rhythm section, keys and gentle strumming, combined with the beautiful vocals envelop you and whisk you away to the countryside, porch and river that are being sung about.

So far this all seems very idyllic but, if scratched, every surface reveals something underneath. In the case of ‘A Fairer Sea’ this seems to be a great deal of love, loss and heartache. Lead man, Mike Gale, has a beautiful voice but also a willingness to share with his listeners a lyrical poetry that, when combined with his lilting vocal and the angelic harmonies of his bandmates, cannot fail to break your heart a little. From the off we are aware of a, ‘You shaped hole in my heart’ but for us this strain of melancholy hits home most powerfully in the beautifully haunting, ‘Roslindale’ where, ‘nothing more than memories are riding with me now’. This is truly stirring songwriting.

Co-pilgrim have managed to pull off this delicate balancing act with great dexterity. You love the ups and live through the downs, but you stay for the complete ride. ‘A Fairer Sea’ packs a punch both musically and emotionally – for those very reasons it is a record to be cherished.

(we wrote this review a month or so ago for our friends at Fatea, however we love this record so much we wanted to make sure it reached as many people as possible!)

News #23: New Video – Peter Bruntnell ft. Rumer – ‘Played Out’

Although we were aware of Peter Bruntnell the musician, our knowledge barely stretched further than knowing of him as a ‘cult’ figure on the UK Americana scene. We had a few of his songs from various Loose Records compilations, enjoyed them and had always intended to delve into the back catalogue. However, as is often the way, we never got round to it and those tunes became just pleasant surprises whenever they came up on shuffle.

A new friendship with a Bruntnell super-fan (#1) put Peter back on our radar and based on this recommendation we caught one of his shows at SXSW this year. I remember it being incredibly loud, Peter having a certain swagger and a set crammed full of quality songs. I also remember a man down the front eyes closed, taking it all in and singing every word back at Peter (super-fan #2).

The point of this preamble is that it would seem that Peter Bruntnell is an artist worth investigating, and for those like us who haven’t got round to it in the past, Loose Records have kindly made the job very easy due to the upcoming release of, ‘Retrospective‘ , ”a 17 track compilation of Peter’s songs from 2004′s Played Out, up through until 2011′s Black Mountain U.F.O.album”.

We didn’t need anymore convincing, so this beautiful version of ‘Played Out’ with Rumer just whets the appetite even more!

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For those of you wanting to catch a Peter Bruntnell live show then we will be doing our level best to get to Palmfest, put together by the good people at Brighthelmstone Promotions

Palmfest 2013

News #22: Brandy Zdan ‘Mourning Dove’ – Free Download (ltd)

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Brandy Zdan recorded some amazing music as part of the duo, Twilight Hotel. She is now branching out on a solo career and the first offering, ‘Mourning Dove’, has been made available today (and as a free download for a limited amount of time).

We already knew that Brandy had a great voice and this stripped back tune lets us appreciate it in all its glory.  The apparent simplicity of the guitar work lets you focus on the vocal and the layers of emotion that are evident as the song unfurls. You can literally feel the anguish, pain and confusion in the refrain, ‘we came this far without tearing it apart’.

As the song itself spreads its wings, anticipation grows but instead of giving you the big ending you were expecting, it stops abruptly. For me this is a master stroke as instead of feeling cheated, I’m going straight back to the beginning and playing it again!

This is Brandy’s first offering from her debut EP, Lone Hunter, which will be out later this year. 

In Bloom #10: Society

Society banner

New Single: Society – ‘Can’t Go Home’

After bringing you electro-pop and indie guitar-pop on the blog this week, we find ourselves back on more familiar territory with the new single from alt-country rockers, Society.

‘Can’t Go Home’ is a strong offering from the band, who already have two albums under their buckled belts. It has a great hook, ‘I Just Can’t Go Home’, a lyric that draws you in with the promise of a compelling story and musically keeps you on your toes by taking a few unexpected directions. It exudes a confidence throughout that gives the impression of a band getting into their stride – a great sign for the album to follow later this year.

The single can be purchased via: Amazon – http://goo.gl/0tCJx  iTunes – http://goo.gl/MaAR7

We caught up with Matt from the band to talk about the single, the development of the band and how not to look cool in a cowboy shirt!

Hi Society – how are you guys doing?

Hi! We are all doing good thanks, busy working on new material for the next record.

Have you been pleased with the reception to ‘Can’t Go Home’?

Yes, so far so good. It’s been less than a week since release but we’ve had some great complimentary feedback already so that’s encouraging.

How long have you had this tune up your sleeves? How did it come about?

It’s been around and in our live set since the tail end of last summer. It was one of those songs that came fairly well formed rather than just being an idea that is built upon and turned into a song. To a large degree it was obvious how it was going to go from the start, as the bedrock was already there, so the work was really just figuring out how it was going to begin, how it fit together instrumentally then being able to perform it well. As far as the lyric goes it’s kind of a continuation of a previous song ‘Wheel’s A’ Turning which was the lead off track on our last album, I got the idea to go back to these two people a little further on down the road and pick up their story again. This is the first time we’ve released a single and this song seemed like an obvious choice.

This sets a high benchmark for the next album – is it ready to go? Tell us about it?

Thanks. We are working on it at the moment, it’s a process of bringing the raw tune in and then us all kicking it into shape, we work on the arrangements and harmonies together. With this record we have decided to work more with one song at a time rather than go in and track a load of stuff and then set about finishing it and so far it’s been a great way of focusing and not spreading yourself too thin creatively. We record as a 3 piece, which is what we are as a live performing act and then get guests in to contribute to what we’ve laid down; we like to do that and add different instruments from just guitar bass and drums but if you’re trying to do that with a big bunch of songs in one hit  it can get a bit messy and confusing…and stressful as we’re not in a position of having musicians come to the studio and track at the same time as us as we’d much prefer . This way is more fun and it’s great to have a song mixed before moving onto the next one as the satisfaction of completing it keeps the fire stoked –  so  to sum that up it’s a slightly different approach from the previous records. I can’t say what it’ll be like as a whole, as I never really know until it’s finished but I’m confident in the material that’s coming up. My only brief with doing albums is that it’s varied and colourful but has continuity so the songs hang together right. No rock operas though…yet. We’re shooting for an Autumn release.

How has your sound evolved through ‘Songs From The Brickhouse’, ‘A Crooked Mile’ and the new record?

Well ‘Songs From The Brickhouse’ was a bunch of recordings where we were trying things out and really learning how to make an album. I did have the same brief that I mentioned before but it was the first time round so all very new. We worked with a producer on a couple of tracks and I learned a lot just by watching and taking stuff in and seeing what it takes to get to the finish line. So at the end it was like, ok that’s what we sound like. I’m really proud of that record as it was our first and it meant so much just to get it done. It was well received which was great for a debut.

‘A Crooked Mile’ was recorded in a shorter time period and when I listen to it I can hear that and all the songs seem much more connected as a result. Having said that, we had material for the second record that existed at the time of the first record, so both those albums seem closely related to me. The second album is more ambitious I think. There are a few songs where I think we really nailed what we were going for and are really satisfying to hear back and maybe a couple that didn’t quite come off as I’d of hoped but some of that was due to time constraints. Again I’m proud of it and everyone involved really put in the effort. We’d obviously had more experience by then so we approached it more professionally. You never stop learning really and there are always new things to try or indeed things you listen back to and think you might approach it differently next time. We must have got something right I guess as we had some really great reviews and radio play.

With the new record so far we seem able to figure out what does and doesn’t work much more quickly just from experience and get to the nub of it. Everyone is playing great and pitching in really well. As far as how the sound has evolved I guess all that stuff will have some influence on it. There are a lot of different interesting things coming up and so at this point it’s hard to define an overall direction. We want it to be able to work well live and keep the attention of an audience in that setting so we’ve been trying to keep it fairly up and engaging so far but it could take another turn and as I mentioned previously, I never really know until it’s finished and out there. We’re really happy and buzzing with what is coming up so far.  A couple of people have said that the single is a slight departure and does it herald a new beginning, which is good to hear and which I’m quite excited by,  it does feel like a fork in the road to some degree but I’m so close to it everyone else will have to decide!  We’ll see…..

This single is your first on ‘At The Helm’ records – how did this link up come about – are you planning on working together again?

It’s our first single full stop. I met James from ‘At The Helm’ at a gig and we got chatting, we kept in touch and then later on talked about doing something which has led to this. James has been good to work with and straight up with everything as well as being energetic and a good sounding board. Our previous records were self-releases so it feels good to be involved with this label. And yes we are planning to put the album out on ‘At The Helm’ records and on all formats so there will be a physical release. This digital single is the kick off and a way to let people know we’re still here and that there is more coming.

If Society got to choose the three Glastonbury headliners who would you go for?

Deadstring Brothers, Danny & The Champions Of The World, and a Tamla Motown Revue – that stuff would be great for big happy singalongs.

Is it impossible to not look cool in a cowboy shirt? 

Ha! Not if you have a bad haircut. Maybe that’s what a stetson is for….. Get the barnet right and then everything else will fall into place. That’s my tip. There are some dodgy cowboy shirts, I should know…

I’ve not seen you play live yet – how would you describe the Society live experience?

Raw and stripped down but hopefully sweet. We play as a trio live so it’s really the bare bones but you get the essence of the songs and full three part harmonies. Guest musicians are always welcome though!

When will we get a chance to hear the new single (& album) live?

There are shows coming up in the Spring and Summer so check our webpage for dates. There are songs from the forthcoming album creeping into our live show already and we’ll be touring it on release.

Where can people go to find out more about you?

societymusic.net

facebook.com/societymusic

twitter.com/societymusic

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Society have been added to, what was already an excellent bill, the Americana extravaganza that will be Palmfest!

News #20: Turnstile Junkpile Video & Launch Show!

It’s been a few months since we last caught up with Turnstile Junkpile (In Bloom #3) but we now know a little about what they’ve been up to in that time – producing their debut video.

We were already fans of the tune, Time Is Running Out, and the video puts a nice little spin on the phrase.

The band will be playing a special show to officially launch the video. It’s FREE entry and support will be from Paul McClure and Lazy Heart Parade. More details here: http://www.facebook.com/events/219893054818995/

Turnstile Junkpile are a fine live band so we wholeheartedly recommend you pop down if you are in the area!

SXSW 2013

We have just arrived in Austin, Texas for this years SXSW festival.
Although we are planning blog posts, please do follow us on Twitter for more regular updates @someofitistrue
Take care!

Photoblog #10: Deap Vally, Drenge & Kill Moon. The Haunt, Brighton, 28th Feb 2013

Deap Vally, Drenge & Kill Moon. The Haunt, Brighton, 28th Feb 2013

Another sold out show at The Haunt.

Kill Moon

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Drenge

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Deap Vally

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All photos courtesy of Artistic Director Victorsson – his Flickr here.

Photoblog #9: Stu Larsen, Chris Simmons & Catherine Ireton, Sticky Mike’s Frog Bar, Brighton, 22nd Feb 2013

We were expecting this to be a great show, as we were fans of all the artists playing, and we were not disappointed. All three musicians put on excellent performances! Our man Victorsson was there to capture some great photos.

Catherine Ireton

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C.Ireton 2

Chris Simmons

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C.Simmonds 2

Stu Larsen

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Thanks to Stu, Chris & Catherine for an amazing evening.

For more of Victorsson’s photos check out his Flickr page.

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