News #19: Curxes – Further Still. New Video & Free Download

We happily admit to not being the coolest kids on the block (to old), but we do our best to follow up on tips from people whose taste we trust.

Many friends were telling us to catch up with the output of Brighton based Curxes, and our introduction, new tune ‘Further Still’ , does not disappoint.

The track is still (at time of writing) free to download here: http://curxesuk.bandcamp.com/track/further-still-free-download

Hope you enjoy x

Gig News: Jack Harris & Lucy Cait, The Druids Arms, Brighton.

Thursday 4th April

The first of a fortnightly showcase of folk and new music at The Druids Arms, Brighton

We are very pleased to be partnering with our friends at Brighthelmstone Promotions to bring you ‘Folk at The Druids Arms’.

The first evening promises to get us off to a great start with two amazing artists;

Lucy Cait

We are very pleased to welcome Lucy Cait, who with her debut EP, ‘Gabriel’s Wharf’, brings a very London take on folk music. If the cliché of folk is one of ethereal sounds and woodland imagery, Lucy Cait is redefining her corner of the genre. Whilst others are influenced heavily by Laura Marling and Joni Mitchell, Lucy readily admits to having a musical background set far apart from the genre she works in. She never listens to Dylan, and hadn’t even heard of Mitchell’s ‘Blue’ album until her own record was done and dusted. Brought up on the music of John Legend and Kanye West and, more recently, Johnny Flynn and Warpaint, Lucy found herself able to create a form of folk music that is entirely her own.

Jack Harris

Jack Harris is no stranger to The Druids Arms, having played two excellent shows last summer. Influenced by the old country blues masters and folk singers of the British Isles, his performances are a riveting display of soulful, smoky vocals and intricate, finger-style playing.
His most recent album, “The Flame and the Pelican” is further proof that Jack Harris is set to become one of Britain’s most consistent Folk story-tellers. In fact, The Telegraph gave it a great four and half star review and rated it number 5 in 2012 Roots albums of the Year

We look forward to putting on this show and, hopefully, seeing some of you in the audience x

Photoblog #10: Deap Vally, Drenge & Kill Moon. The Haunt, Brighton, 28th Feb 2013

Deap Vally, Drenge & Kill Moon. The Haunt, Brighton, 28th Feb 2013

Another sold out show at The Haunt.

Kill Moon

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Drenge

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Deap Vally

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All photos courtesy of Artistic Director Victorsson – his Flickr here.

Photoblog #9: Stu Larsen, Chris Simmons & Catherine Ireton, Sticky Mike’s Frog Bar, Brighton, 22nd Feb 2013

We were expecting this to be a great show, as we were fans of all the artists playing, and we were not disappointed. All three musicians put on excellent performances! Our man Victorsson was there to capture some great photos.

Catherine Ireton

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Chris Simmons

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Stu Larsen

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Thanks to Stu, Chris & Catherine for an amazing evening.

For more of Victorsson’s photos check out his Flickr page.

Gig Preview #4: Stu Larsen, Chris Simmons & Catherine Ireton, Sticky Mike’s Frog Bar, Brighton – 22/02/13

If you’re in Brighton this Friday night then why not join us at this show?

Stu Larsen show

Stu Larsen

We don’t know a lot about Stu, but the tunes we have heard mean that we are excited to be able to see him play live. He has just finished playing a series of dates with Passenger so should be in full flow by the time he reaches us in Brighton!

Chris Simmons

Regular readers will no doubt remember we were rather fond of Chris’s single, ‘You Could Have It All’ last year. Shame on us that we haven’t been able to see Chris play live yet (he is a local lad), however we will put this right and look forward to seeing him.

Catherine Ireton

Another someofitistrue favourite, Catherine Ireton, is also playing – how strong is this bill!! Catherine has an extraordinary voice and an ever-growing catalogue of quirky, poignant and memorable songs. Make sure you get to the show on time as Catherine will be opening proceedings.

Hopefully we will see some of you in the audience for what looks to be a great show!

This show is being put on by the nice people at Love Thy Neighbour

Tickets: http://www.drinkinbrighton.co.uk/events/stickymikesfrogbar/stu-larsen-plus-support?theme=on

The Music Doesn’t Stop #25: The Self Help Group

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Regular readers well know that we are suckers for gorgeous vocals and harmonies. Therefore it is no surprise that we have been utterly charmed by Brighton based, The Self Help Group. The band release their debut album, ‘Not Waving, But Drowning’ on the Union Music Store record label tomorrow (11th Feb). It is a record that has been an ever-present companion over the past few weeks and is packed with great tunes that hook you in immediately with their apparent simplicity and beauty – but also keep giving as you find something new in the glorious textured three-part harmonies.

So, the record sounds great, and perhaps just as importantly the live experience is just as mesmerising – we wholeheartedly recommend The Self Help Group experience.

We caught up with Mark Bruce (Singer-Songwriter), Clara Keely Wood (Vocals) and Jamie Fewings to talk about the new album, musical pilgrimages and footwear!

Hello Self Help Group, the opening of album ‘Not Waving, But Drowning’ has the sound of a radio being tuned. Is this a knowing nod to the opening of the Dexys album ‘Searching For The Young Soul Rebels’? If so did you purposefully choose the sounds/sample (we were half expecting the Deep Purple & The Sex Pistols al la Dexys)

M.B Have to admit my ignorance to all things “Dexys” so, that’s a no. Funny story though. Jamie (Freeman – Producer) and I had been messing around with the start of the album and he came up with the detuned radio thing, which for starters was odd as I’d used it on a previous track myself. I then came to a recording session with the brain wave of mixing in bits of the tracks from the album and he threw the same idea at me straight off.

Tell us about how song writing works within the band

C.K.W Mark writes all of the material and normally has a fair idea of how he would like the song to sound. Sarah, Mark and I then get together and build harmonies around the main melody. We then share that with the rest of the band and they add their magic.
What 3 words best describe The Self Help Group Sound
C.K.W Wistful, harmonious, storytelling.
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As a proclaimed Self Help Group, which Self Help book would you recommend we invest in?

M.B Never read a self-help book myself, or attended a group for that matter!

Ever been to Laurel Canyon? If the band were to go on a musical pilgrimage, what destinations would be on the agenda?
C.K.W Is that near Ramsgate? No never, maybe we should….how amazing to have been around in the 60’s/70’s in Laurel Canyon with the likes of Joni Mitchell and Crosby, Stills, Nash and Young.
J.F I guess we should go to all the places in the songs, so, The Moon, Utah, Michigan, Arkansas, Florida, Wyoming, Pennsylvania……Devon?
M.B We should skip Glasgow and the prisoner of war camp I think.
What is the oldest song on the album? What is about that tune that demanded it make the record?
M.B The oldest song on the album is “Big Nose George”. It’s actually older than the band itself. I wrote it very early on, before this venture had any real direction, outside of my loft. I wrote the whole song in 10 mins. I hope it doesn’t show!
Mark, with all the fuss about the new My Bloody Valentine record do you wish your ‘shoegaze’ band was also still going? How has your actual footwear changed between this band and those days?
M.B No I’m quite glad the old shoegaze band isn’t still going, although, we weren’t that bad as I remember. I don’t think my brain could cope with all that racket nowadays though. I hope the footwear has taken a step in the right direction………Do you see what I did there?
Excuse our musical ignorance but, is that what is known as a ‘Reprise’, three-quarters of the way through ‘Sand’? Whatever it is it’s rather lovely – how did it come into being?
M.B I have a masters degree in musical ignorance. I don’t think it is a reprise though. I had written the verse and chorus to the song and after, a pause, hit that first chord and the tempo change felt right. Just happened really. These things often do. I have no musical training or pre planned ideas of where a song needs to go. I only hope that I’m just blessed with a reasonably good “Shit” filter. The duffers don’t usually seem to make it as far as the rehearsal room!
Mark has talked about using interesting news stories as inspiration for his songwriting – within this structure what motifs are recurring within The Self Help Group’s writing?
M.B Seems to be death and, now that I look at the songs, there is a lot of familial love……never used that word before!
The cover art for the album is beautiful – how did it come together?
M.B I was searching for images online as I had nothing already planned for the album. I found the image and thought it was stunning. I was amazed that it hadn’t been used before and that, it being a 15th century painting, was free to use. All of our releases have featured “Art” on the covers. The previous two had been things I’d found, a painting from car boot sale and some decoration on a wardrobe.
What are your favourite tunes from the record to play live? Any particular reason’s why?
C.K.W Personally speaking, ‘The Rapture’ gets me every time. As a band we have always loved performing the song together from when it was first written, the dynamic of the song seems to work well live which just makes it a total pleasure to play.
The LP release is imminent – what are you up to promotion wise?
C.K.W We’ve been busy doing gigs, and radio interviews etc…which have been fun. Our record label, ‘Union Music’ take really good care of us, they’re always busy making sure the right people hear the album.
Self Help Group can choose the three headliners at Glastonbury this year – who would you go for??
MB The Smiths, Sufjan Stevens and….rem…The Beatles!
C.K.W Joni Mitchell, Jeff Buckley and Bjork.
Finally, where can we buy the album (which we like a lot!), find out about upcoming shows and all things The Self Help Group?
C.K.W Our album can be bought from our awesome record label, ‘Union Music Store’ in Lewes, or from other great local music shops, plus of course Amazon or digitally, online from iTunes etc.
You can find out what we’re up to on our face book page, twitter account (@thegroupies) or on our website theselfhelpgroup.com. You can catch us live next at the Brunswick, Hove on March 2nd or March 23rd in Lewes.
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Thanks as always to the band for sharing their time with us, to Stevie & Jamie for bringing the band to our attention and helping create a great record, and to Bob Russell for a fab photo!

The Music Doesn’t Stop Revisited: House of Hats

Promo CD

Regular followers of the blog will probably be aware of our love for House of Hats. We initially covered them early last year and have been keeping close tabs on them ever since. Their recorded output has continued to impress and as a live band they have gone from strength to strength – their rendition of ‘Rivers Will Run’ at the EP launch show was, to put it mildly, bloody awesome!

The year ended with the band hooking up with a Grammy Award winning producer to create their debut album. We thought it was time to check in with Noddy, James, Alex & Rob – better know as House of Hats.

Hi House of Hats! It’s been nearly a year since we last spoke – how are you all?

Hello, we are all very well thank you…we had a lovely Christmas break but now we are back in action.

I understand the debut album has been recorded – how exciting is that?

We are so excited about this album….it’s an incredible feeling to achieve something like this.

I understand you worked with a new producer on the album – how did that come about?

We were so honored when Pete (Smith, Grammy Award Winner) came forward and offered to help us put together this album. We all met Pete a few years back whilst we were doing our individual projects. He worked closely with Alex and Rob on an EP with their previous band and they kept in contact ever since. He’s always really believed in us so when the opportunity to put together an album came around, Pete got stuck in and helped us produce something really exciting.

When can we get hold of the record?

Ahhh, not for a another few months…keep your eyes and ears peeled!!

As talented artists, as well as musicians, will you be designing all the cover art?

Absolutely. This is something that we really want to keep close to us. As a band we feel very strongly about keeping the creative process in house and luckily we have an extremely talented artist in the band, James is his name! It just really helps our vision when we have all the control in these areas. The art that is created by James is so unique to the songs. 

You just released a free track, ‘Sewing Machine’, as a Christmas gift to your fans – what is the tune all about? Do you have any other songs named after home appliances? [You can download Sewing Machine for FREE if you sign up to the HoH mailing list]

No I don’t think we have any other songs named after home appliances hahaha but this song has been with us from the beginning of our journey, it’s a very special song. It represents the difficulty and the emotions felt when trying to mend someone . It’s a very emotional song that is true in itself and that has been experienced. 

You’ve been gigging a lot – do you have a favourite show? Why?

Cambridge Folk Festival at the Den. It was the whole experience. We arrived a day before our performance and just stuck in to the wonderful atmosphere and had the pleasure of listening to great new bands. The audience were so receptive and supportive…we were on such a high, so many memories from that weekend. 

The residency at The Brunswick in Brighton seems to have been a great success – do you have plans to keep this going?

The Harvest Sessions @ the Brunswick has been such a success and we want to thank all the performers and the loyal supporters that came to the shows. We have now decided to do the Harvest Sessions quarterly now so we can make the shows bigger and better for 2013. We have some wonderful acts in the pipeline so please keep a lookout for the announcements. The next night is on 2nd March.

Will there be a House of Hats tour this year?

There will be….we’re working on it. We hope to do a UK tour as well as some other European dates.

Did you make any New Year’s Resolutions you can share?

We all made the obvious ones individually like keep up the ciggies(fat chance..but we can try) get fitter, go for a run but as a band we promised ourselves to step everything up a gear, very excited.

Finally, what are your hopes for 2013?

Our hopes are simply….to be able to continue what we are doing and live from it. We also hope to go further a field and play to many more people, we just want the music to spread like wild fire so we can keep doing this for another 10 years and more.

Tickets for the next House of Hats ‘Harvest Session’ can be purchased here – see you there!

Photoblog #7: Daughter & Lay Low, St Mary’s Church, Brighton (17th Jan 2013)

St Mary’s Church provides an awesome venue for bands – it looks great and sounds excellent. At this time of year it’s not quite such a pleasurable experience for the gig goer – due to the fact that is is bloody freezing inside! Our man with the camera, Victorsson, joined us in braving the cold to watch Daughter & Lay Low. I’m pleased to report it was well worth it – a brilliant show by artists well worth keeping an eye on in 2013.

Lay Low

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Daughter

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More photos from this show & others at Victorsson’s Flickr page here.

Catherine Ireton – What is it about that night

promo pic - theatre royal

Singer, Songwriter, Actress, Treasure Seeker – these are just some of the many talents of Catherine Ireton. If you add to this one of the most exceptional singing voices that we heard live last year, then you can understand why we are excited about Catherine’s upcoming show, ‘What is it about that night‘, that is taking place in Brighton’s Theatre Royal on the 17th & 24th January. We were very lucky to get some of Catherine’s time as she put the finishing touches to the show.

Hi Catherine, how are you, where are you and what are you up too?

Hey, right now I am back in Brighton. Currently at this moment trying very hard to not open another packet of mini mince pies. But perhaps I should just do it, I need all the energy I can get this week as I’m in the middle of rehearsals for my new show, What is it about that night which opens next week at Theatre Royal Brighton.

How was Christmas & New Year? Any resolutions?

Resolutions are tricky business… I feel slightly superstitious about them, I feel if I tell you then the chances of me completing it somehow is greatly reduced. And anyway, their very dull really aren’t they. No-one ever resolves to “have more fun”… maybe that should be mine.

How did you find yourself living in Brighton?

2 years ago I moved here to do a Masters degree in Opera. (What was I thinking?!) I didn’t last in it very long. But if I’m honest, I had already decided I wanted to leave Scotland, and I already had my sights on somewhere warmer and by the sea so I was just looking for an excuse, tricking my scared self into pretending I wanted to be an opera singer was the necessary kick up the arse.

I see plans are afoot for a show at the Theatre Royal – anything you can share with us about what might be going on?

The performance is a promenade music piece so I will lead the audience in and around the building. I sing and play piano and yes, it’s true, I am also acting. But that, for me, is treading quite comfortable ground as I am also an actor.

It’s a one woman show and I play the role of the girl at Stage Door. The singing is the easy part, but it’s been a tricky time figuring how best to make the piano travel with the audience.

Are empty theatres not a spooky place to hang out?

The idea for the show itself is based on an experience I had when working at the Kings Theatre in Edinburgh. It was my job to lock up the old girl and so on my own at night I would walk the corridors of the dressing rooms backstage stage in the dark with a torch turning off lights and locking doors one by one. I didn’t find it spooky, I used to love being on the stage, staring out at the empty auditorium, imagining the applause, feeling the creative energy of the old theatre. This performance takes inspiration from that experience, and places it directly into the Theatre Royal Brighton. There are so many stories to tell about this old theatre. There’s something very magical about her at night- so much possibility – anything could happen in a fantasy, especially if you have an audience.

For those who have not seen you perform how would you describe your art?

Well, this piece is a bit of a new departure for me, but straight up I am a singer songwriter. I write songs and I sing them and play piano. It seems for some reason that I like to lug this piano into the most awkward places I can find. I still don’t have a case for it; I’m still bringing it round in the cardboard box it came in… I am very interested in spaces, how a space can affect a performance, and how a space can affect an audience.

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We became aware of you and your music through the //Treasure Tracks// shows in 2012 – did you enjoy scouring the city for exciting locations for the shows?

Yes, for me, finding the venues was as exciting as performing. Scouting for venues for TT I realised how normally I would automatically suppress my curiosity. If I see a building and it looks interesting, do I go in, or just walk past? //TreasureTracks// opened this right up, and really made me look at this city in a new way. I found places really close to home that I walk past every day and never knew existed.

For the uninitiated please tell us what //Treasure Tracks// was and how you came up with the idea?

TT was a series of 4 secret gigs in unusual locations in Brighton. Small audiences followed a treasure hunt online and on the streets of Brighton to find out where the gig was; The Booth Museum, London Road Railway Station, your bedroom (in the way of a live streamed midnight feast) and backstage at the Dome. The location of each gig was inspired by one of my songs, and the treasure-hunting audience would get the track as their treasure after each gig.

We made it to the Train Station & The Dome and loved them both. Are you able to pick a favourite?

London Road Railway Station was an absolute treat. Finding it was particularly exciting, as I live close by and had never known that there was a model railway club inside the station. The Dome was also a perfect way to finish off the project. How many people get to say “I’ve sold out the Dome!”

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What other plans do you have for 2013? Will we see an EP or Album?

That’s a good question. I have lots of plans. Perhaps too many!

I’ve just released the four songs from //TreasureTracks// as a mini album available to download on my website.

But if given the opportunity I’d quite like to tour “What is it about that night”

You obviously love the collaborative nature of your work, if you could pick anyone who would make up your top 3 collaborations?

Well currently I am really enjoying collaborating with Simon Magnus, director of Root Experience, so I’ll mention him. We often end up in the pub playing cards, but still manage to get a lot done.

Sufjan Stevens is definitely up there as one of my top three, would also like to go to the pub and play cards with him to be honest.

And if I could choose anyone, then Nina Simone

Finally, it is the season for picking artists to do well in 2013 – do you have any tips for us (after your good self of course :-)

I am pretty rubbish at any type of predictions, but another Brighton female vocalist Abi Wade, she’s really worth checking out.

Tickets for What is it about that night can be purchased here

Thanks again to Catherine, we cannot wait to see the new show – hope to see some of you there!

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We would also like to thank our friends at Brighton Music Blog - without whom we would have missed out on //Treasure Tracks// – if you want to know about music in Brighton then you need to keep an eye on their blog. A big thank you to chief Brighton Music Blog scribe, Mr Rob Orchard, for very kindly letting us use some of his excellent photos of Catherine at the //Treasure Tracks// shows

Albums of 2012: #1 – #5

Firstly I should apologise for the delay in releasing our Top5. Hopefully your all having a great holiday and need a little diversion from the eating, drinking and socialising – if so we’d love to hear your thoughts on our Top5 (or the Top20)! So, in reverse order, here are our Top5:

#5 Woodpecker Wooliams – The Bird School Of Being Human

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The highest entry from our hometown of Brighton is Woodpecker Williams. Gemma’s extraordinary voice, a harp and a whole host of electronic wizardry drive this album to some brilliant highs. Raw, emotional lyrics add yet another dimension to this fascinating record. We love it!

#4 Bowerbirds – The Clearing

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Phil and Beth, from Bowerbirds, have taken inspiration from nature and their surroundings on this, their third album. The Clearing, is a record that takes some investment but pays you back by the bucketload. The tunes are complex but beautiful, the vocals sublime - this record may be grounded in its subject matter but that doesn’t stop it from soaring.

#3 Hurray For The Riff Raff – Look Out Mama

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Based out of New Orleans, Hurray For The Riff Raff have pulled together various streams of American roots music to produce the stunning, ‘Look Out Mama’. The band sound brilliant, but it is the powerhouse performance of singer/songwriter Alynda Lee Segarra that leads the way. These are her songs and her truth – and the intensity of the delivery make this a truly exceptional record.

#2 First Aid Kit – The Lion’s Roar

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First Aid Kit came very close to scooping top spot on our chart with the brilliant, The Lion’s Roar. It is folky, it is Americana and it definitely features two amazing vocals, but for us this is a damn fine pop record with a host of tunes that’ll get you tapping your feet and singing along. So much fun you just have to keep playing it over & over.

#1 Cat Power – Sun

Cat Power

So, top spot goes to Cat Power who released, Sun, her first album in an age. Anyone familiar with Chan Marshall’s previous work may have been a little apprehensive of the more electronic direction on this album, but they needn’t of worried as this fits neatly into the pantheon of great Cat Power records. Like many artists in this top20, you cannot help but feel that Chan puts her life and soul into her work – this leads to compelling recordings for the listener. For us ‘Ruin’ is the stand out track on the album (and possibly our favourite song of the year!) – “bitchin, complaining?” – not us as Sun is our Album of 2012!

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