Album Reviews #5: Co-pilgrim ‘A Fairer Sea’

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Co-pilgrim ‘A Fairer Sea’

On the surface Co-pilgrim’s album, ‘A Fairer Sea’ ticks all the boxes to qualify as a damn fine guitar-pop record. It has catchy hooks, glorious harmonies and a host of memorable tunes. Straight out the blocks comes ’22′ an insanely catchy song that will have you singing along in no time. ‘Come On Come On’ does a similar job, driven along by chiming guitars and layers of lush vocals, it comes across like an early Byrds foot stomper. Although a little slower, the chorus of ‘I’m Going To The Country’ sums up one of the key things we love about this record. It is a simple refrain but the layers of rhythm section, keys and gentle strumming, combined with the beautiful vocals envelop you and whisk you away to the countryside, porch and river that are being sung about.

So far this all seems very idyllic but, if scratched, every surface reveals something underneath. In the case of ‘A Fairer Sea’ this seems to be a great deal of love, loss and heartache. Lead man, Mike Gale, has a beautiful voice but also a willingness to share with his listeners a lyrical poetry that, when combined with his lilting vocal and the angelic harmonies of his bandmates, cannot fail to break your heart a little. From the off we are aware of a, ‘You shaped hole in my heart’ but for us this strain of melancholy hits home most powerfully in the beautifully haunting, ‘Roslindale’ where, ‘nothing more than memories are riding with me now’. This is truly stirring songwriting.

Co-pilgrim have managed to pull off this delicate balancing act with great dexterity. You love the ups and live through the downs, but you stay for the complete ride. ‘A Fairer Sea’ packs a punch both musically and emotionally – for those very reasons it is a record to be cherished.

(we wrote this review a month or so ago for our friends at Fatea, however we love this record so much we wanted to make sure it reached as many people as possible!)

Albums of 2012: #1 – #5

Firstly I should apologise for the delay in releasing our Top5. Hopefully your all having a great holiday and need a little diversion from the eating, drinking and socialising – if so we’d love to hear your thoughts on our Top5 (or the Top20)! So, in reverse order, here are our Top5:

#5 Woodpecker Wooliams – The Bird School Of Being Human

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The highest entry from our hometown of Brighton is Woodpecker Williams. Gemma’s extraordinary voice, a harp and a whole host of electronic wizardry drive this album to some brilliant highs. Raw, emotional lyrics add yet another dimension to this fascinating record. We love it!

#4 Bowerbirds – The Clearing

BB

Phil and Beth, from Bowerbirds, have taken inspiration from nature and their surroundings on this, their third album. The Clearing, is a record that takes some investment but pays you back by the bucketload. The tunes are complex but beautiful, the vocals sublime - this record may be grounded in its subject matter but that doesn’t stop it from soaring.

#3 Hurray For The Riff Raff – Look Out Mama

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Based out of New Orleans, Hurray For The Riff Raff have pulled together various streams of American roots music to produce the stunning, ‘Look Out Mama’. The band sound brilliant, but it is the powerhouse performance of singer/songwriter Alynda Lee Segarra that leads the way. These are her songs and her truth – and the intensity of the delivery make this a truly exceptional record.

#2 First Aid Kit – The Lion’s Roar

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First Aid Kit came very close to scooping top spot on our chart with the brilliant, The Lion’s Roar. It is folky, it is Americana and it definitely features two amazing vocals, but for us this is a damn fine pop record with a host of tunes that’ll get you tapping your feet and singing along. So much fun you just have to keep playing it over & over.

#1 Cat Power – Sun

Cat Power

So, top spot goes to Cat Power who released, Sun, her first album in an age. Anyone familiar with Chan Marshall’s previous work may have been a little apprehensive of the more electronic direction on this album, but they needn’t of worried as this fits neatly into the pantheon of great Cat Power records. Like many artists in this top20, you cannot help but feel that Chan puts her life and soul into her work – this leads to compelling recordings for the listener. For us ‘Ruin’ is the stand out track on the album (and possibly our favourite song of the year!) – “bitchin, complaining?” – not us as Sun is our Album of 2012!

Albums of 2012: #6 – #10

The countdown of our favourite albums of 2012 continues with numbers #6 – #10. Please do let us know if any of these made your list:

#6 Father John Misty – Fear Fun

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Alt-Country, Trad-Country, Rock, Beatles-esque guitar hooks – Fear Fun has it all. Driven by the charisma and wordplay of Josh Tillman this record delights at every turn.

#7 Wussy – Buckeye

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This compilation of Wussy’s first three albums is a real treat. Coming on like a mix between REM, The Breeders and The Replacements, these guys and a gal can rock, do twisted-tender and have mastered the call/response vocal line. The output is one of the most consistent rock albums of the year.

#8 Beth Jeans Houghton & The Hooves Of Destiny – Yours Truly, Cellophane Nose

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An eclectic mixed bag of goodies from Beth Jeans Houghton & The Hooves Of Destiny. Packed full of original ideas, great songs and an unashamed desire to take the listener somewhere different.

#9 Early Ghost – Cadaques

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Early Ghost don’t dabble in a sound, they jump in feet first. Cadaques cooks up some classic movie soundtrack’s with a dash of modern folk-rock, the outcome is a Morricone inspired Spaghetti-Folk. Fresh, fun and totally absorbing!

#10 Grimes – Visions

Grimes

This was bought on a whim and turned out to be one of the most inspiring records we’ve listened to in 2012. Original, catchy, challenging – this record has a multitude of different facets – perhaps the main one being its ability to take you new places. I don’t really know whats going on but it doesn’t matter when it sounds this good.

Albums of 2012: #11 – #15

#11 The Standard Lamps – Sell Everything You Own

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This guitar-led pop record is a real gem. Main ‘Lamp’, Mike Wilton, knows his pop history and is happy to share. This album channels great british bands from The Kinks, The Beatles and Free through to Blur. Retro leaning it may be, but is not to be underestimated as it is choc full of great songs, hooks and fun. An excellent debut

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#12 The Dreaming Spires – Brothers in Brooklyn

The Dreaming Spires Album Cover

Another album not afraid to offer a generous nod to it’s inspirations. Joe & Robin Bennett put their own spin on Country-Folk and Cosmic American Music. You can hear the Byrds, Big Star and their ilk but it is all done with both reverance and originality, making the songs seem fresh and dynamic. For anyone who likes chiming guitars and an irresistible melody you’ll do well not to fall in love with this record!

#13 Bat For Lashes – The Haunted Man

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The third album from Bat For Lashes is another extraordinary piece of work. Perhaps not as immediate as its predecessors however, we have found ourselves coming back to it time and again. A fascinating artist, a beautiful singer and brilliant record.

#14 Damien Jurado – Maraqopa

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One of the many fun things about the blog is asking musicians to recommend their favourite albums – this has led us to some amazing music and this being one example. David from Red River Dialect rated this record so we went out and bought it. We still know nothing about Damien the person/artist, what we do know is this record is both instantly engaging and also stands up to numerous repeat listens!

#14 The Staves – Dead & Born & Grown

The Staves

We’ve been following the progress of The Staves due to @JVictorsson’s minor obsession. We reckon this album justifies the hype. The vocals are lush, the songs go places you weren’t expecting and they like dressing up as cowboys!

Bubbling under – music from in and around Brighton: some local artists have made it into our Top20, others may have missed out this time, but only because of the strength of the competition. We wanted to recognise a few of the Brighton based musicians who made albums we really liked,

Donna Fullman – Inner World: Donna’s debut is a lush, laid-back affair giving the richness of her vocals centre stage. Oh yeah, ‘Restlessness’ has one of the best opening lines we’ve heard this year!

Hatful Of Rain – Way On Up The Hill: Another debut album and one that brings you bluegrass via Portslade (you’ll have to look it up). The sound of four talented musicians & songwriters having a grand time whilst playing music they love. Main singer/songwriter Chloe Overton hits a notable high on ‘The Exit Song’.

Small Shipwrecks – Eucatastrophe: Intense, dramatic stuff from this Lewes based band. Part Alt-Country part Mike Leigh gritty realism. May be not the easiest to get into but well worth your time.

Albums of 2012: #16 – #20

Welcome to the first part of our albums of 2012. Firstly I should point out that we LOVE all these records. Yes, we have tried to put them into some sort of order but, let’s face it, different days, different music…….

Enjoy!

#16: Team Me – To The Treetops

Team Me

A huge slice of Norweigan pop that always puts a smile on our face. It has so much going on throughout that it remains a joy to come back to again and again. Reminds us a little of a more poppy Flaming Lips!

#17: Ravens & Chimes – Holiday Life

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A late entry – in fact the LP does not get its formal UK release until Feb 2013 – but it could be purchased if you saw the bands Nov/Dec tour. A fine indie-pop record elevated further by the charasmatic songwriting and performance of lead singer Asher Lack

#18: Sharon Van Etten – Tramp

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So good we immediately went out an bought all of Sharon’s back catalogue. The guitars and Sharon’s haunting voice dominate this intense set of songs. Not always an easy listen, but records that convey this level of an artists truth never are….. Oh, and ‘Serpents’ rocks….big time!

#19: Dirty Projectors – Swing Lo Magellan

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Wonky, off-kilter and thoroughly absorbing. We were very late to the Dirty Projectors party but very glad to have finally turned up!

#20: Uno Moller – Silent Riots

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Uno’s second record in this Top20 as Uno is guitarist in Team Me. This collection of stripped back numbers shows an excellent songwriter in his own right. Definitely an artist to keep an eye on!

Bubbling Under…..

American Werewolf Academy – Everything Is Alright So Far. Hard rocking, punk pop tunes from the USA

Lana del Ray – Born To Die. Believe the hype, this record has plenty of corking tunes

Spirit Family Reunion – No Separation. Excellent country folk from NYC

Red River Dialect – ‘awellupontheway’. Dense, moody and authentic folk tales of cornwall and beyond

and finally Small Town Jones – Freight Ships. Made an original iteration of the top20 until we realised it coame out late 2011! Fine record though!

Album Review #4: Stylusboy – Four Walls

Stylusboy – Four Walls

The team at someofitistrue are already fans of the tunes of Stylusboy, and have previously interviewed main man Steve Jones via the wonders of the internet.  Safe to say that we have plenty of time for his new live album, Four Walls, which was released in early 2012.

Stylusboy is the consummate modern day troubadour, his ‘have guitar and tunes will travel’ approach is perfect for the internet age, as acoustic music is coming back in vogue and word of mouth quickly spreads throughout the global village.  Four Walls was recorded at ‘house shows’, Steve’s great way of taking his music to his audience, of course he can play in your kitchen, living room or private party.  This is just one of the approaches that Steve uses to get his music out to the wider public.  The whole ‘pay what you can’, hand made sleeves, mp3 or flat format download options, really helps to bring the artist and audience together and Steve manages these perfectly to get his tunes out to the world.

Stylusboy is a singer songwriter in the Nick Drake tradition, perhaps not as revealingly personal in his lyrics as Drake, but sharing the same knack of incorporating a great melody.   Stylusboy is a bit of a musical magpie, taking various influences as you would expect from any artist working within similar musical territory.  The appeal of singer songwriters is all about the honesty, hooks, musical stories and audience rapport, all of which Stylusboy has mastered with ease.

Four Walls is a blast through what is effectively his current best of set, with catchy tunes such as Beyond the Flags and Whole Picture sounding great in the live setting.  This is possibly actually a better environment for Steve to work in than the studio, as he is able to feed off the audience and enthuse the tunes with some additional zest.

Our favourite tune of this set is Stopclock, as we feel the live setting really makes this song unique within the Stylusboy cannon.  Here for us it sounds like he is channelling the great Neil Young on one of our favourite recordings of his Will to Live.  The two sound nothing alike in terms of tune or lyrics, it’s the live vibe that does it for us, both sounding like the they are recorded around a fire, late at night and in the company of friends, which is probably the truth for both of them.  It’s the song for us on this collection that is pushing Stylusboy away from his more traditional fare, and approaching something that is more edgy, revealing and personal.   It’s the most atmospheric piece in the collection and for us works better than the version on the Fingerprint EP.

If we have a minor grumble, it’s the mobile phone buzzing that interrupts a couple of the tunes.  We can understand why these have been included and agree that they are all part of what happens at a live house show, but for us all the best live albums have a bit of touching up in the studio afterwards and we would have preferred if these had been erased, although this doesn’t detract at all from the overall recording.

Ultimately, Four Walls is just a great pop record; catchy tunes that are played well and that capture the live atmosphere perfectly.  Steve’s voice is really emotional throughout, especially on Love’s Tale which for us is another highlight.  One thing we don’t like at someofitistrue are records that outstay their welcome, and at a snappy 33 minutes and nine tracks, Four Walls is perfectly formed, you get to the end and immediately want some more.  A record to cherish.

4/5

Review by @tvermar

http://www.stylusboy.co.uk/

Album Review #3: Uno Møller – Silent Riots

Uno Møller – Silent Riots

Uno Møller is undoubtedly a cool guy. For one thing he can look good wearing a headband in the same way that McEnroe could. If being cool isn’t enough, he is also a very talented chap and this record goes a long way to showcasing that talent.

If you know of Uno from his role in the excellent Team Me (who all look good in headbands), then you may be surprised at the intimacy of this record. Surprised – yes, disappointed – I very much doubt it!

The cover shows a view across a lake, the trees in the distance lost amongst the mist, and this image conjures a haunting fragility that is evident throughout the songs that make up the record. The greyness of the scene hints at a murky intensity and although this record is in parts intense, it is a textured, multi-layered and dare I say it multi-coloured listen.

Opener ‘Creature Days’ sets the scene with the intimate production giving the effect of putting you in the same room as Uno whilst he picks at and slides his fingers along the strings, the vocals raw and emotive, ‘What’s wrong with me….?’

Second up is ‘Down in the Ghost House’ and although it raises the tempo, you cannot fail to be pulled in by the choruses closing lament, ‘terrified from all the screaming’

I should probably state here that although this is the kind of record with which you have to make an effort to engage, I have never found it a difficult listen. This I think is one of the real successes of the record – it’s a fine balancing act between intensity and accessibility, which I believe is only carried off because of Uno’s expert lightness of touch with some of the vocal delivery and his ear for a gorgeous melody.

‘The Same Amount As Birds’ and ‘Riots’ are perfect examples of this balancing act, where the beauty of the tune and the vocal are ultimately an uplifting experience for the listener (Lucy Swann’s additional vocals on ‘Riots’ raise this tune to the standout recording on the album).

For me the other highlight is ‘What Your Running From’, the piano takes the lead on this tune and the performance puts me in mind of Ryan Adams at his best. I love the fact that at the song’s end the tape continues rolling and we are left with Uno at a silent piano; all of us reflecting on the song and the performance  (if this isn’t what we hear then don’t tell me otherwise, as this is a perfect end for me!)

This is a very fine record and one that I would recommend to anyone looking to invest time in a musician. Uno is an artist of great potential and this record contains numerous examples of his talent. I hope you enjoy it as much as I do.

8/10

Review by: @jcverrall   

Silent Riots is out now on Lazy Acre Records

Album Review #2: Slow Down Molasses – Bodies of Water: Remixes

Slow Down, Molasses – Bodies of Water: Remixes

The team at someofoitistrue towers have to admit to being a bit daunted when the latest from Slow Down, Molasses arrived at our door. We weren’t familiar with either the band’s previous work, or really “remixing” as an art form. It therefore took us a few listens to really get into this record, but safe to say, it’s well worth the effort.

Whilst not being experts in the “remix”, one of our first records was the “Two Tribes” 12” by Frankie Goes to Hollywood, which we still like to this day. One of our favourite records ever and always brings us back time after time, is “µ-Ziq Vs. The Auteurs” –a total classic in our opinion, where Mike Paradinas obliterates some of the tracks from the “Now I’m a Cowboy” record, creating something totally new and exciting. We remain fans of both groups, a love that Luke Haines and Mike Paradinas probably don’t share.

Not being familiar with the original versions, I can’t comment on how radical the “Bodies of Water: Remixes” are, but my thoughts are that they are probably not too different from the source material, certainly in keeping with the feel of a Slow Down, Molasses record – must admit I need to do some home work here. It’s certainly not a “Loaded” type set of remixes, where Andrew Weatherall totally changed “I’m Losing More Than I’ll Ever Have” by Primal Scream, but still produced something that was in keeping with what the band are all about. Whilst Bodies of Water isn’t so radical a remix work, it’s an interesting record that stands up to, actually requires, repeated listening.

Over eight tracks, including three versions each of “Walk Into The Sea” and “Light”, and at just 32 minutes – someofitistrue applauds bands who get to the point and don’t outstay their welcome – the team behind this record have produced a really diverse body of work that takes the listener on an interesting and varied musical journey. I understand that Slow Down, Molasses are a multi instrumental collective of up to nine members (possibly more) and there is a wealth of different instruments featured here, all sounding great together.

Favourite tracks for this listener include, “Bodies (Mehta’s Reduction)” which has a real Alice Coltrane feel about it, with the harp sound coming in and out over the driving sequenced background. “Light (Sebastian Reynolds Remix)” works really well, it starts with just vocals and the slightest of piano backgrounds, you feel that it’s the soundtrack to a leaf being blown in the breeze, slowly it builds and ends with repeat stabs of noise, the leaf is now being bashed repeatedly against a corrugated iron fence, excellent stuff. I also really like “Walk Into The Sea (Message to Bears Remix)” with its ripples of piano, cello, haunting vocals and, what sounds to me, like a looped Wurlitzer. “Late Night Radio (Foam Lake Remix)” is all hypnotic rhythm, crashing guitars and brass instrumentation and would work well in the type of club that Some Of It Is True wish they would get invited to more often.

When I finally “got” this record, I was cycling around the country lanes of Warwickshire on a sunny spring morning, this record was the perfect sound track; it contains light, shade, driving beats, quiet passages, vocal hooks, strange instruments / sounds and is always interesting. Ultimately, any remix record needs to work on two levels; as a body of work in its own right that stands up to repeated listening and also as an introduction to the listener to search out more music by the artists involved. “Bodies of Water: Remixes” is a record that I keep coming back to and I’m going to discover more music by Slow Down, Molasses, so for someofitistrue it is a total success.

4/5

Review by @tvermar

****You can download this album – name your price – at the following sites****

http://www.facebook.com/slowdownmolasses

http://slowdownmolasses.bandcamp.com/

Album Review #1: Internet Forever – Internet Forever

When we are not stroking our chins to the latest tear jerker from some acoustic lovely, there is nothing more that we love than a bit of a racket. It thrills us to report that Internet Forever produce a glorious racket that brings a smile to the face and wipes years off our age.

We have to admit that Internet Forever were not a band that someofitistrue were familiar with before they came knocking at our drawbridge.  A cursory check of the internet suggested that they were going to be all a bit ‘indie-pop’- no bad thing, as we like a jangle as much as the next pop kid.  However, repeated listens suggests that this description sells the group a bit short.  Internet Forever are what this reviewer would call, a classic pop band built on a Spector(ish) wall of sound.  It’s all there – pop hooks, catchy choruses, sing-a-long verses and plenty of noise.  You can trace their sound back through this style from 2012 back to the birth of rock and roll.  There are bits of 60’s girl group, bits of Ramones, bits Jesus & Mary Chain, you get the aural picture, but its all got a nice 2012 punch to it.

Far from coming across all twee and shambling, Internet Forever positively crunch and there is even a bit of the epic / widescreen about their sound.  To these ears there is even a bit of late 70’s E-Street Band in the percussion to ‘Centre of the Universe’, when Bruce Springsteen was trying to create his own wall of sound imitation on Born to Run. ‘Pages of Books’ also has that epic sweep and a great introduction to match.

Internet Forever could never claim to have the most original sound, but someofitistrue think that having an original sound in 2012 is pretty much a moot point anyway.  We know most, if not all, things have been done before, probably before we were even born, but that’s not an issue for us.  Despite acknowledging pop history in their sound, Internet Forever are a thoroughly modern band.  They use typical ‘indie’ instruments, such as guitar and drums in a typical ‘indie’ style, but augment with current sounds, drum beats, percussion, dance club rhythms.  Lyrics are a nice mix of girl falls out with boy, but with modern touches about message boards, etc.

Pretty much every song here has something going for it.  ‘I Don’t Care’ starts at a pace and then builds, slows, then builds again, before finally it crashes over the listener in addictive waves of ‘whoo-hoos’.  It then repeats this again and again to give the listener a manic pop thrill.  If this isn’t a great catchy pop tune then I don’t know what is. ‘Happy New Year’ is another winner, starting with a fanfare and then shimmering along, backed by some neat drums and all over in two minutes.

I’m not sure what a modern group aspire to in this day and age, but in our dreams a tune as fine as ‘White Light Collision Course’ should be all over the radio for Spring and Summer of 2012. Inspiring people to both listen to Internet Forever, but to also form bands and create their own sound.  For me it’s the highlight of the record and is a great mix of ‘up’ music and slightly sinister lyrics. ‘I’ll sleep when I’m alive’ starts off a bit too close the Vaccines, but rapidly mutates into something quite different, again it’s said all it needs to say in just two minutes.  No messing around for Internet Forever; get to the point, get to the chorus and then move on.

Internet Forever should be commended for making a great modern pop record.  Its prefect for the Itunes shuffle generation, who get bored after 2 minutes, but it also works well as an entire piece of work, having a beginning – the stately instrumental ‘3D’, a strong run of tunes in the middle – ‘Pages of Books’, ‘Centre of Your Universe’ and ‘White Light Collision Course’ and then an epic finish with ‘3M’.

Recommended Listen  4/5

Review by @tvermar

 

http://twitter.com/internetforever

http://internetforever.co.uk/

 

Album Reviews: An Introduction

Whilst we acknowledge that someofitistrue ‘s growing global reputation is due to our love of that perennial favourite- the solo troubadour / singer songwriter, we will freely admit that our musical taste is pretty much all encompassing. We are happy to give anything a blast and will champion all sorts of different bands over the coming months. We are obsessed by music and bands, which for us tend to fall into two categories: love or ignore. If we don’t like it, we won’t listen or comment further – no haters here, we love much more than we find snore-inducing.

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