News #26: Wall, Anaesthetics, Tina Refsnes & Tyrannosaurus Dead

Wall – Left To Wonder

First up is a really excellent video to accompany the beautiful Wall track, ‘Left To Wonder’. The Shoestring EP has been on heavy rotation since we were utterly charmed by the band at The Great Escape – we highly recommend you check it out.

Anaesthetics – Pulse

From the laid back electronic grooves of Wall to a full on slab of guitar led indie-pop from Manchester based Anaesthetics. We liked debut single ‘Slow Trains’ but have been hooked by ‘Pulse’ with its, ‘Doo-doo’s’ (you’ll have to listen now), chopping guitars and sing-along chorus.

Tina Refsnes – A Million Things

Next up is our pick of  ’favourite new tune/artist’ from our inbox this week. We don’t know a lot about Tina Refsnes beyond the fact that she is based in Oslo, studied in Liverpool and has just released a rather lovely, finely crafted single named, ‘A Million Things’. This does not sound like a debut, rather the work of an artist with a detailed understanding of her craft – and a wonderful voice! We look forward to finding out and hearing more!

Tyrannosaurus Dead – Pure & Apart

Last up on this post is the new video from Brighton’s Tyrannosaurus Dead. The song, ‘Pure & Apart’ is 134 seconds of understated wall of sound, with howling guitars – what’s not to like! You can listed to the new EP over at the bandcamp page.

News #25: Treetop Flyers, Dead Professional & Mount Moriah

We are still buzzing from this weekends amazing Palmfest extravaganza (our friends over at Three Chords & The Truth UK have put together a great summary here)

With chimming guitars still ringing in our ears we thought we would briefly share some other Americana based treats that we’ve been getting to know…

Treetop Flyers – Houses Are Burning

Treetop Flyers have been an ever present on our various music playing devices since the UK release of album The Mountain Moves a few weeks back. Another winner from the Loose Records stable we highly recommend you give this record a listen – it is great accompaniment for the sunshine that has recently made an appearance!

U.S. readers will be pleased to know that the album comes out June 25th – see  the USA Today video preview and interview here.

Dead Professional – Don’t Be Cruel

We get sent loads of great music and we always try and get around to hearing as much as possible. 

Virginia-based singer/songwriter John Harouff, aka Dead Professional contacted us via Twitter & email asking us to take a listen to this tune. As we are massive Bruce fans and completely addicted to the new Kurt Vile album, John’s opening gambit meant we were always gonna give this tune a blast, “Like Nick Lowe, Kurt Vile, Tunnel of Love – era Springsteen, I’m a solo artist trying to marry old-school song-craft with some modern sounds.”

Let’s just say we were in no way disappointed and hope to bring you more on John in the near future!

Mount Moriah - Bright Light

We bought the Mount Moriah album, Miracle Temple on the basis of one track we had heard on a compilation CD. The album is an amazing listen throughout, but for us it is the vocals of Heather McEntire that really hooked us into this band. Check out this version of ‘Bright Light’ fr0m a Consequence of Sound / Off The Avenue session.

Gig Preview #4: Palmfest w/Danny & The Champions of The World, Peter Bruntnell and lots, lots more…

The nice people at Brighthelmstone Promotions are busy putting the final touches to the 2nd ‘Palmfest’, which takes place this coming Saturday 1st June. There is an absolutely stellar line up of acts including Danny & The Champions of The World, Peter Bruntnell & Society as well as someofitistrue faves The Dreaming Spires, Small Town Jones and House of Hats. If you fancy it, and haven’t already got tickets all the details are here.

We caught up with co-headliner Danny to chat about the show, the new Danny & The Champions of The World album and erm, arm-wrestling!

Hi Danny, how have you been enjoying the sunny bank holiday?
I’ve spent the bank holiday between a caravan in Whitstable with the family and playing gigs with The Champs…so absolutely the best of both worlds. 
The new Danny & The Champions album is on the horizon – what can you tell us about it at this point?
It’s called ‘Stay True’ and it’s coming out late summer…absolutely thrilled with it. 
Who are the ‘champions’ on this album?
In a really lovely way it’s a bit of a mix of both old and new. The album was recorded with the current Champs line up (Paul Lush on guitar, Chris Clarke on bass, Steve Brookes on drums, ‘Free Jazz Geoff’ on sax and keys and Rosalie Deighton singing) but with some really lovely appearances from some old faces…Robin and Joe Bennett (now from The Dreaming Spires) played some great trumpet, flute and piano as well as some beautiful singing…Trevor Moss & Hannah Lou also did some wonderful singing too… We also had Melvin Duffy playing some amazing pedal steel (he was on the ‘Streets of Time’ album). We were also really lucky to have the London Bluegrass legends ‘Foghorn Leghorn’ join us for a few tunes too….so a big group hug of a record really. 
How would you describe the new record?
It’s probably a bit of a mix of all three previous Champs albums but with an added soul and RnB element…a lot of doo wop and girl group influences but put through the mixer with The Byrds, Dylan and The Band…..maybe. 
Your co-headlining Palmfest next weekend – are you looking forward to it?
Can’t wait – it’s a brilliant line up – loads of friends in the crowd and gracing the stage…as good a line up as I can remember being a part of… 
There is an incredibly strong line up of UK-based Americana acts – anyone your particularly looking forward to seeing?
Everyone really – looking forward to seeing everyone…all great folks
The last show I saw you play was a solo set at the Palmeira and if I recall there was a sprinkling of Springsteen covers – any chance they might make a reappearance with the full band?
You never can tell! We’ll follow our noses and see where that takes us…possibly via New Jersey… possibly via Muscle Shoals! 
At that show you told a few funny stories about your other occupation as a tattooist – any more moments to share
Ha! Yeah I work at Wallington Tattoo near Croydon….I’m guessing I told the ‘Eye of the tiger’ story? Classic!! Lemme have a think…. 
If you and other Palmfesters The Dreaming Spires, Peter Bruntnell & Small Town Jones had an arm wrestling competition – a la Stallone in ‘Over The Top’ – who is winning? (My money would have you and Jim Jones in the final ;)
I love that film. I totally love the ‘Rocky’ films too. I reckon you’ve got it about right …..but Joe from The Spires can do incredible sums in his head…stuff that I’d balk at with a calculator! 
What are the plans for the rest of the year?
We’ve got some great festivals coming up..Cropredy, Standon Calling, Truck, Maverick etc and then the album release….we’ll be touring the UK and Ireland in September and November, some Europe stuff and hopefully further afield then more touring into the new year….gonna be great…

Some Of It Is True Loves…Vol.1: #4 Russell.M.Harmon

Reynisfjara by Nathan Penn

Here at someofitistrue we love guitars! However, we also love lots of music that doesn’t rely on the six-string, and one artist that we’ve really enjoyed discovering is Russell.M.Harmon. ‘We Are Failed’ is a fascinating EP and ‘Without You, I’d Cease’, with its slow build and epic scope is, we believe, an excellent way to bring ‘Some Of It Is True: Loves…Vol.1′ to a fitting finale.

Russell is a busy man, and since we last spoke has numerous new projects on the go – he wasn’t however too busy to catch up with us!

Hi Russell, how are things? What are you up to today? 

Things are great, thanks. Today, I have just been working on some new material for a spilt EP I will be releasing with a good friend of mine later this year. The new material is in the same vein as We Are Failed (Russell’s debut EP released in September 2012) but I want to further explore the space around the notes so it edges more towards the minimal, ambient aspects of the EP as opposed to the structured build ups and intense noise; although, there will still be some of that in there as well.

 What was the inspiration behind ‘Without You, I’d Cease’?

When I am composing I don’t really have an isolated source of inspiration, it’s usually a combination of things whether it be audio or visual stimuli. The same goes for ‘Without You, I’d Cease’, during the composition process there were a number of factors influencing the direction of the piece so it would be difficult to pin point any one source of inspiration. Having said that, I always aim to convey very specific emotions in the music that I compose and in doing so, aim to induce the listener into a certain state of mind, so I guess these emotions, in combination with particular connotations associated with them, are a primary source of inspiration throughout the whole compositional process. With that in mind, to provide an answer to your question, I would say the inspiration behind ‘Without You, I’d Cease’ was isolation and fear with a hint of optimism.

Musically speaking though, at the time I was listening to a lot of Alva Noto’s work with Ryuichi Sakamoto, and to me, I feel this is audible evident in ‘Without You, I’d Cease’. Their music, along with Ben Frost’s work, was definitely a big inspiration for me whilst composing We Are Failed. I guess overall, I tend to draw inspiration from the music I listen to rather than situations or life experiences. I like to fuse different musical genres and compositional styles that interest me and basically just make the music I want to hear.

One person who has downloaded the record commented that they love the sense of ‘space’ within the song. As the songwriter is this something you purposefully put into this particular track?

Yes, definitely. For me, the pauses and spaces in between the notes are just as important as the notes themselves. I have for a long time been fascinated by the emotions that long pauses and sustained chords evoke. I think this comes from listening to a lot of Ludovico Einaudi’s music from a young age as this is a distinctive stylistic feature of his work. At the same time, in ‘Without You, I’d Cease’, the juxtaposition of the distorted noise invading and overtaking this space as the piece progresses is just as important.

You’ve been known to do a few remixes – what is your favourite to date?

I think my favourite remix to date is one I did back in 2010 for worriedaboutsatan when I was still working under the name hereyeslike_static. It was a remix of the their track Heart Monitor, which was released on a 4-track EP of the same name. As for remixes I have done under my own name, I think my favourite is the remix I did of Still – a piece by my friend Adam Chetty. I couldn’t tell you specifically why these two are my favourites, I guess I am just especially proud of them when I listen back. It might also, however, have something to do with the fact that when you remix a piece of music, you are working under certain constraints as the material is predefined and not the familiar blank canvas. This forces you to work in a different manner and adapt your compositional technique to the provided material. I always find this process really interesting and it is fascinating to see how you adapt to each project; in my experience, every project brings something completely different to the table. Anyway, cutting to the chase, I just really enjoyed the process of creating both the Heart Monitor remix and the Still remix, and working with the material provided. I was really happy with how everything came together in both instances.

What is next up for Russell.M.Harmon?

Next up is to finalise the tracks for the split EP with my friend so we can release it later this year. I also have a couple of remix projects that I need to finalise. After that, I will then shift my focus back to working on new material for a full length release – but I not totally sure of the details yet, it is still in it’s infancy. Apart from that, playing some live shows and hopefully putting together a small tour later this year would be nice. We’ll see what 2013 brings.

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http://www.russellmharmon.com/

https://www.facebook.com/russell.m.harmon

Thanks to Nathan Penn for the awesome image of Russell/Iceland

SXSW 2013: You Me & Us

You Me and Us

Like the tenacious music bloggers we are, we have spent the last few weeks tracking down some of our favourite bands from our trip to this year’s SXSW. Today we are really pleased to be able to bring you this interview with the lovely Carlee Hendrix from You Me & Us.

For those of us from colder climates, a band that come from California and plays fuzzed-up guitar pop probably cannot fail to conjure up images of sunshine and warmth. You Me & Us definitely had this affect on us, and not just because our introduction to the band was in Uncorked’s heat-trap of a backyard in Austin, under clear blue skies and blazing sunshine.

A shy and unassuming trio, the band really came to life as they powered through a host of two minute spiky pop tunes that jumped out and grabbed your attention, only to then disappear just as quickly, leaving you wanting for more.

For those new to the band, please tell us the essentials.

We are a three piece band from Bermuda Dunes, California. We play noisy, fuzzy pop songs.

How was your SXSW experience?

It was a little bit hectic in terms of traffic and driving around a huge van in Austin, but we got to play some really fun shows and eat a lot of pizza and cupcakes, so overall it was worth it.

Carlee Hendrix - You Me and Us

We saw you at Uncorked on a very hot afternoon and loved it – did you enjoy the show?

Yes! It was definitely hot though. Unfortunately we didn’t get to stick around because we had to leave to play another showcase right after our set.

You had a ‘superfan’ in the audience that day – is he at all the shows?

That was Thor, the music director at KWVA, and that was his first time ever seeing us live.

You’ve been playing at Coachella – how did that come about?

We were a late addition to the lineup. Goldenvoice called us two days before and asked if we wanted to play.

Ignacio Caniza - You Me and Us

Was that your biggest audience to date?

We played another festival that Goldenvoice put on in between both Coachella weekends called “Tachevah” and that was probably the biggest audience we have played for.

Any plans to come to the UK?

Nothing as of right now, but we’d love to soon!

Your tunes tend to be very short, sharp and to the point – any plans to write any 3 minute epics ;)

We’ve been writing longer songs since releasing “Paperweights.” I think overall it’s just about what each specific song calls for.

Alyssa Midcalf - You Me and Us

Who is Steve Holt?

He’s a character from the TV show “Arrested Development.” If you haven’t watched it, I highly recommend it!

‘Bright Red Marker’ is a great song but it makes us feel a bit sad.  There is a great lyric, ‘put a sweater on if your hearts grown that much colder’. Is it odd playing such an emotionally charged song over and over?

It is, actually. That song hits much closer to home for me than most of the other songs I write, and it can sometimes be weird to bring up those feelings so often.

What’s next for recorded material?

We’re about to release a new EP in late June. We’re really excited!

What has been the best medium for sharing your music and finding new fans?

I think touring is the best thing you can do in terms of getting your music out there. You’re playing a show for a completely new group of people every night that might not have otherwise ever known you existed. I also think it’s the most sincere and honest way to connect with people who listen to your music.

What other bands do you recommend we go listen to?

La Luz! We played with them at Burger Records a couple of months ago and they were incredible. We’ve been listening to their record pretty much nonstop since.

See you back at SXSW next year?

Definitely!

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Find out more about You Me & Us at the following links,

http://grumpybear.bandcamp.com/,

http://youmeandusband.com/,

https://www.facebook.com/youmeandusband,

https://twitter.com/YouMeAndUsBand

As always thanks to Victorsson for his excellent photos – please check out more of his work: http://www.jvictorsson.com/

Paperweights cover art

News #24: Flash Bang Band, Hella Better Dancer and The Self Help Group

Apologies for the lack of posts over the last week – we’ve been very busy enjoying ourselves at loads of shows, culminating in the The Great Escape festival last weekend. We will share more on TGE over the coming weeks – in the meantime here is some musical news that’s got us excited over the past few days.

Flash Bang Band – ‘If You’re Driving’ – NEW Single & Video

We have a special affection for Flash Bang Band, as they played on the bill at the first show we ever co-promoted. They are quite bonkers in a very lovable way, but also have a knack of unearthing great hooks and then playing them very, very loud.

They have an album coming out on ‘At The Helm’ later in the summer, but preceding this is new single If You’re Driving, which is released on the 3rd June. The video follows a pair of feet on an interesting day-out, we have no idea what it’s about but like it regardless!

Hella Better Dancer – Sleep (demo)

We were very excited to see Hella Better Dancer play in Brighton last week. We are going to post an interview with them soon, but in the meantime have a listen to the band’s last output ‘Sleep’ (it may even still be available to download for free)

Album Cover

The Self Help Group – BBC Introducing: The South

‘Not Waving, But Drowning’ by The Self Help Group continues to be one of our favourite albums of the year to date. We’ve also been lucky enough to catch the band playing live on a few occasions and would highly recommend you do as well, if the opportunity presents itself. If not, then they recorded a live session for the local BBC station. Their first offering is ‘The Rapture’, which might well be our current favourite of theirs – and definitely a highlight of the live set. Enjoy!

http://www.bbc.co.uk/iplayer/episode/p018g3zx/BBC_Introducing_The_South_18_05_2013/

EP Reviews #1: Helene Greenwood – The Break E.P.

Helene Greenwood The Break EP Cover

Helene Greenwood – The Break EP

(Washaway Records) 

Review by: @tvermar

The Break EP is the debut release from up and coming London based singer-songwriter Helene Greenwood.  Helene comes from a well studied musical background, but already on her debut, shows that she wants to follow her own musical instincts rather than adopt a particular style or musical method.  

The EP comprises of 5 tracks, including Helene’s reading of two familiar classics ‘In Between Days’ by The Cure and ‘Fools Rush In (Where Angels Fear to Tread)’ by Johnny Mercer and Rube Bloom.  Her version of ‘In between Days’ is particularly moving, taking The Cure original and backing it with something totally unexpected; a barely there orchestration, which reminds this listener of strangely enough, Spacemen 3 of all bands – in their quieter moments. 

This should not detract from the 3 originals (listener’s assumption) on the EP, ‘Break In Break Out’, ‘After the Fire’ and ‘In The Sunshine’.  These are really the highlights of the EP.  Helene presents a perfect mix of beguiling lyrics, enchanting vocals and interesting musical arrangement.  There is a bit of English folk, mixed with a jazz-like ease of touch, all complemented by Helene’s haunting yet childlike vocals. 

This is a great EP and has really got us all excited about the release of Helene’s full-length debut album, ‘Collectable You’, later in the year.

Helene celebrates the release of the EP with a show at the Union Chapel, London this Friday 17th May. Tickets here

Helene Greenwood press pic

 

 

Some Of It Is True Loves…Vol.1: #3 Donna Fullman

Loves...Vol.1

Donna Fullman – I Can’t Sleep

Donna made a big impression on us the first time we saw her play live. A beautiful acoustic version of ‘Hello Shanghai’ from the EP Happiness + Victory created a special kind of magic in the room (you know what that music magic feels like don’t ya?)

The more we got to know Donna and her work the more we came to appreciate not only her voice, but also her songwriting skills and her dedication to the art – I think you’ll see from the below interview that Donna puts a lot of thought into the craft of songwriting. Debut album ‘Inner World’ has many fine tunes on it – including I Can’t Sleep, which Donna kindly donated for our debut release.

Please click on the album cover above to grab a free copy of our album, and click on the Inner World cover to find out to hear more of Donna’s excellent tunes.

Hi Donna, how’s that insomnia?

Ha! My conscience is clear – so I sleep quite well now thanks! Like a baby in fact.

Did the person who inspired ‘I Can’t Sleep’ get their comeuppance?

Well, let’s just say that when I first began writing ‘I Can’t Sleep’ I certainly had someone in mind. Doing me wrong and lying about it makes for some pretty sleepless nights. Towards the end of finishing the song – we’re talking a few years here! – I also felt that the song had a wider message to do with the powers that be – they just happen to be the blue party:“If I can’t sleep why can you? Laying your dirty, dirty secret on your pillow blue”.

How did the song come about – was it an easy or hard one to complete?

Well, as I say, it took a long time to complete – some songs are like that. They urge you to start them but for some reason linger until you’ve fully grasped the message I guess. Then, once understood, you can share it authentically. That’s when music reaches people.

Is it representative of your work as a whole?

It certainly carries a lot of what I care about – message, space, a Roy Orbison cinematic feel I think – it also builds slowly and then delivers by the end – I like to think I make music that promises to deliver and delivers – if you listen – patiently! For me Music is a commitment the listener enters into – I certainly hate to feel cheated by a song if I have given it my attention and by the end it falls flat, fails to resolve somehow or leaves me thinking what was all that about?

Cover Art

Where does it rank among the others on ‘Inner World’?

In my heart they are all my babies! Inner World took nine months to record and the labour was painful! I love them all the same, as any good mother would. It’s track 9 on the album – which is an auspicious number.

What are you up to on the music front at present?

I’m writing new material for my next release – it might be a live recording to capture the energy and magic you create when playing live. I like the idea of it being quick and painless without compromising on quality.

I’m also playing more solo shows and hope to play to wider audiences throughout Europe, I want to share the album.

Any live shows on the horizon?

Yes – some really exciting shows actually – May is busy!

Sat 11th May

Lindfield Arts Festival / Sussex / Tickets via website or donations on the day

I’ll be playing a solo acoustic set in the Church at 1.30pm

http://www.lindfieldartsfestival.com/buy-tickets/festival-activities/music-festival/

Mon 13th May

Radio Reverb LIVE SESSION on the Pete Jones Show – tune in – 97.2fm

http://radioreverb.com/

Wed 15th May

Supporting Paper Aeroplanes at Komedia, Brighton, doors 7.30pm, £8/£10

http://www.komedia.co.uk/brighton/music/

In Bloom #11: The Hundredth Anniversary

Jump Cover
Considering we are Brighton based (give or take a few miles) and The Hundredth Anniversary currently reside in Brighton, the event of our paths crossing was due in part to friends as far apart as Vancouver and Newcastle!
Music connoisseur and our new buddy, @bandswithiphones is very knowledgeable about the Brighton music scene, even though the Atlantic and a fair amount of land separates her home in Vancouver and our seaside town. Anyway, she’d been constantly reminding us to go see an upcoming show with one of her favourite new bands, Hella Better Dancer. Always one to follow tips, we checked it out and noted that one of the other bands on the bill was The Hundredth Anniversary – whose new 7″ single ‘The Jump’ had landed on our door mat, courtesy of one of our other ‘new music’ gurus, Tiny Lights Recordings (based in Newcastle).
The rest is history!  We love this record, @bandswithiphones loves this record, it’s probably fair for me to say Tiny Lights love this record and hopefully you will too. Let’s give a big someofitistrue welcome to The Hundredth Anniversary!
 

To start with, for the uninitiated (us), who are The Hundredth Anniversary?

Hello! We are Eleanor, Dem, Andy and Chris. We do guitar/vocals, drums, guitar and bass, in that order.

Whose/what Hundredth Anniversary inspired the name?

Things it is not anything to do with: the sinking of the Titanic, the Tour de France, a war. It may have something to do with the reggae album by Burning Spear, but I couldn’t tell you that for sure.

It was ‘The Jump’ 7″ single that caught our attention – please tell us about this particular tune?

Well, it’s a song that was one of the nice ones where it falls out quite easily… you just play it, and it works. It’s about a small moment underwater.

What 3 words best describe the Hundredth Anniversary sound?

Loud, English and Hazy.

Your single was released on the excellent Tiny Lights Recordings – how did you guys hook up?

I contacted Paul from Tiny Lights when I was reading a bit about Fantasy Rainbow (now recording as the excellent Something) – FR was the first artist Tiny Lights put out and I really liked the sound of the music and the label. So I emailed and said ‘Hey!’, as you do… and so it went on. Tiny Lights are brilliant.

You are currently based in Brighton – is this your home town?

It is yes, although we’re all from different parts of the country originally. It’s our new home.

What other Brighton bands should we be checking out?

Royal Limp, Sealings, Tigercub, Ancient Times, Hot Glass and Tyrannosaurus Dead- my other band! There are actually so many good bands here, it’s hard to just name a few.

What would be Hundredth Anniversary’s dream place to play? 

An architecturally interesting place, not too massive, in an exciting town or city we’d never been. Where it was sunny and we had lots of spare time to also explore the place we were playing.

What bands would join you on the bill at that ‘dream’ gig?  

That’s hard – I am tempted to say Lower Dens, one of my favourite bands, or The Walkmen or Blink 182 for Dem, Andy and Chris. But one of the things I love is playing shows with friends… the atmosphere is always great, and it’s really nice to show your support and be supported by nice people. It’s also great playing with someone you’ve never heard of who is amazing and/or really nice. So if someone could put together a secret line up for us to play with loads of nice & good bands that I will love, that might be my dream line up.

What inspires Hundredth Anniversary to get out of bed in the mornings/afternoons? 

Day trips, band practice, sunshine, bike rides, ideas.

Please tell us some of the good & bad things about being in a band.

Bad things: it makes my bank account really empty. Carrying heavy stuff everywhere.

Good things: friends, loud music, excitement, making stuff.

There has been a bit of a furore in the music press due to the Yeah, Yeah, Yeahs speaking out about recording shows on phones/video – is this type of recording annoying for bands (it is for this punter!) ?

I totally get it as a gig goer – it really annoys me when someone is waving their crappy digital camera in front of your face while you’re trying to enjoy a band. The worst was when I was watching one of my favourite bands play, and someone who had been talking loudly behind me through the set elbowed their way in front of me trying to do some arty swooshy filming of the song. Obviously it looked shit and was really annoying.

But, as a band… it doesn’t bother me. I think if you benefit from people talking on Facebook and Twitter and stuff about you, you have to be kind of open to them filming a bit and taking pictures and so on.

And so I don’t think I’d ever say ‘no phones’… but I’d like for people to be respectful of each other in their use of phones… that’s what it comes down to I think.

What is happening next for the band?

We have some free gigs coming up in Brighton and London in the next few weeks, then some more fun shows over the Summer that we can’t quite announce yet. We’re rehearsing new songs at the moment and saving up money for recording and maybe a video. All our dates are on our website here: 

Website - http://www.thehundredthanniversary.com/

Soundcloud - https://soundcloud.com/thehundredthanniversary

Facebook - https://www.facebook.com/pages/The-Hundredth-Anniversary/206985939397584

Brighton Show Poster

Some Of It Is True Loves…Vol.1: #2 American Werewolf Academy

Loves...Vol.1

American Werewolf Academy were one of the surprise packages in our 2012 box of musical treats. Hailing from Dallas, this trio blew us away when we caught a live set that bristled with attitude and great three minute punk-rock-pop tunes. The UK release of album ‘Everything Alright So Far’, showcased the talents of the band and highlighted their ear for a melody and sense of fun.

octopus_cover_04

You can therefore imagine that we were very pleased that American Werewolf Academy kindly offered a song to go on our debut compilation album. ‘Do Whatever’ follows the ‘classic’ AWA template – rocking guitars, catchy hooks and a ‘dare you not to jump up and down’ attitude – the perfect album opener!

We caught up with head ‘werewolf’ Aaron to find out a bit more about the track:

‘Do Whatever’ are these the rules AWA live by?

It’s sort of a silly song. There’s a hedonistic theme in lots of our songs, particularly our earlier songs. I’d like to do whatever I want. Usually that involves drinking lots of alcohol and eating nachos. Exciting, I know. When I was in the UK I didn’t see any nachos. That’s a shame.

How long has this song been around? How did it come together? Was it pretty straight forward to record?

This was the first song I wrote for the new record but we didn’t wind up using it. It just didn’t fit the feel of the record. We recorded it pretty quickly straight to 2″ tape without using any computers. We recorded it caveman style.

It sounds like a lot of fun to play – is that true? 

Yeah, it’s a fun one to play. We still play it from time to time. It’s an easy one to remember, which helps because we’ve got a bunch of songs.

What are AWA up to at the moment – anything new on the horizon?

I’m really excited about the new record. It will be out on Damnably sometime in the fall I imagine. There are some good songs on there and the artwork looks really cool. I want to get out and play more, we’ve been laying low getting the record done. Hopefully we’ll get out of town again and play some new places. We’re talking to Wussy about some possible dates. I’d like to hang out with those guys again.

For anyone who loves ‘Do Whatever’, where do you recommend they go next to discover AWA? 

There’s a few free songs on our website, there’s also Youtube. The best thing is just to come out and see us live.

If you get the chance, we wholeheartedly recommend the live ‘AWA’ experience – for now though please help yourself to ‘Do Whatever’ and the rest of Some Of It Is True Loves…Vol.1, for FREE: www.hiddentrailrecords.bandcamp.com

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