Gig Preview #3: The Dreaming Spires @ The Green Door Store, Brighton, 6th June 2012

Regular readers will know that we loved The Dreaming Spires new single, ‘Not Every Song From The Sixties Is A Classic’. Having been given a sneak preview of the album, we are pleased to report that the single is far from a one-off. The LP is packed full of spikey pop tunes, perfect for the summer that seems to have arrived.

Fortuitously, it also turned out that our friends at Wildwood Promotions are bringing the band to Brighton, so we also get the chance to hear the new tunes live. One half of ‘the spires’, Robin, was kind enough to have a chat to someofitistrue about the new record, the Brighton show and how the band came to be!

Hi Gents, whereabouts are you enjoying the hot weather?

Oxford, UK.

For those who know nothing about the genesis of the band, please tell us how The Dreaming Spires came into being.

My brother Joe and I have been playing music together for a long time. We were in the band Goldrush and toured the US with Mark Gardener of Ride, and on our own, in fact two members of that band ended up with American wives (including Joe). That band died off when we all got married. On a visit to our old drummer’s wedding, on Zuma beach (Los Angeles), we visited another friend who was not in the best situation and was selling all his stuff; I bought his Tom Petty box set, and throughout the road trip through California with our families we listened to it non stop. That might have been it. We also wanted some cool upbeat songs like that we could play alongside our favourite covers at pub gigs, for we were dipping our toes back into the music scene after a 5 year sabbatical (though we did play in Danny & the Champs for that time); on the same trip I wrote ‘Singing Sin City’ with another American friend, Cat Martino which described our experiences on the road and that set the tone for a lot of the other songs.

The single, ‘Not Every Song From The Sixties Is A Classic’ has just come out – what’s it all about?

It’s about a number of things colliding; the need to escape a claustrophobic city when things are going wrong- it was initially written about a particular situation in Los Angeles (though it could apply to any city), where we would always arrive and find K-Earth 101 on the stereo playing “Build me up Buttercup” and of course “California Dreaming”; our old guitar player used to hate that well-loved song, hence the references to it in the lyric, though of course there are a fair few dreadful songs from that era as well as the great ones.

What songs from the Sixties would you recommend to our readers?

Where to start? All or Nothing – Small Faces / Sympathy for the Devil – the Rolling Stones / Baby I Need Your Loving – Four Tops / For No One – The Beatles / Hot Burrito #1 – the Flying Burrito Bros / Like a Rolling Stone – Bob Dylan. We could be here all day.

You’re playing Brighton soon, played any gigs here before?

We made a brief foray with Dreaming Spires last summer to the Prince Albert. We played here years ago with Goldrush a few times. Also played a weird wedding in a seafront hotel and cricketer Andrew Flintoff was there and insisted on playing my guitar. Brighton is a great place, looking forward to it.

What can we expect from The Dreaming Spires live experience?

We often play live now as a 3 piece, so it’s looser and places the focus on the Everleys-style harmony between Joe and I, and the bass plays lead on a lot of the songs live, while we do add some pyschedelic moments too. We have a great new drummer called Jamie and I believe we are hoping to add keys for the Brighton show!

I think I can hear the influences of great bands such as Teenage Fanclub, The Flying Burrito Bros, Big Star and The Byrds in your work. Is this a fair reference?

With the addition of Mr Petty, this band is more or less a celebration of those exact bands! We love them all.

Your album, ‘Brothers in Brooklyn’ is also out soon – did you have a good time making it? Any favourite tracks we should look out for?

It was pieced together over a long time and I really enjoyed all of the sessions, though because we were working day jobs and ran out of money, it took a long time! I was also obsessed with recreating the Petty/Jeff Lynne production style for a while, though gave up on that and put on some more raw recordings like ‘Laughing & Dancing”, recorded in a cabin in the woods in Ohio. Many friends from bands such as Ride (who were always very influenced by the Byrds), Danny & the Champs, Cat Martino, Ralfe Band and even a member of Mercury Rev helped us to put the album together, with production from Oxford music legend Sam Williams and Oxford University lecturer Duncan Williams (we sneaked into the music faculty at night to record in secret)… most of the instruments on it (though not drums!) are played by Joe and I.

What would be your dream festival line up – you can choose 5 bands.

I’ve been lucky to book many of my favourite acts at Truck festival; here are five I haven’t or bands I’ve never seen:

THE BAND / JONI MITCHELL / RIDE / OTIS REDDING / BIG STAR

It was Bob Dylan’s birthday last week. What are your top three Dylan albums?

This week- Bootleg Series Vol 1-3; Desire; Highway 61 Revisited

The Dreaming Spires play The Green Door Store in Brighton on Wednesday 6th June. someofitistrue look forward to seeing you there!

Tickets: http://www.wegottickets.com/event/163454

Single Review #1: ‘Not Every Song From The Sixties Is A Classic’ by The Dreaming Spires

If anything can make a sunny day even sunnier it’s a great blast of American influenced power pop. The UK has sweltered in a mini heat-wave for 3 days and “Not Every Song From The Sixties Is A Classic” by The Dreaming Spires is the perfect soundtrack.

The Dreaming Spires don’t attempt to hide their influences; there are clear references here to originals such as Big Star, The Byrds, Dwight Twilly Band and modern equivalents such as Teenage Fanclub; but why should they? These bands made some of the best guitar driven music ever and The Dreaming Spires should be commended for giving this sound a 21st Century brush up and adding another great tune to the power pop lexicon.

Driving jangly guitar, stop/start organ, lovely vocals and catchy, hook driven lyrics, underpin this three minute love letter to both the escape offered by rock and roll and a classic musical style.

“Not Every Song From The Sixties Is A Classic” is the lead single from The Dreaming Spires debut album, ‘Brothers In Brooklyn’, which is out 11th June in the UK. We here are someofitistrue can’t wait to hear more.

Review by @tvermar

News #4: Danni Nicholls – Time EP – OUT NOW

I was lucky enough to see Danni play a beautiful acoustic set last week. I also picked up the EP, and having given it more than a few listens this week, I would highly recommend you do too!

Excellent lead track ‘Warm Your Hands’ powers along, but for me the highlight is ‘Time’ which has a soulful country vocal reminiscent of Allison Moorer.

Do have a listen and let us know what you think.

http://www.reverbnation.com/danninicholls

The Music Doesn’t Stop #12: Hatful of Rain

This week someofitistrue are very pleased to bring you a band on the brink of releasing their debut album. Hatful of Rain are creating a positive buzz with their first video and have also received airplay on Bob Harris’ radio show. Phil Jones from the band kindly chats to us about how the band got together, making the record, the band’s influences and what the future holds.

Good day Hatful of Rain. How are you? Where are you and, what are you up too?

We are getting ready for our album launch on 30th May, which is sadly now sold out! Shame we didn’t get a bigger venue! There’s been a lot of interest in the album, following the release of the official video on YouTube and it’s very exciting.

We all have day jobs and families. Chloe is studying for her midwifery degree, I’ve just come back from playing in Paris with another band and James has just returned from playing in Mexico with the Balanescu Quartet.

Tell us about how the members of Hatful of Rain came to be in a band together.

In 2009 I met Chloe at the Shoreham-on-Sea folk day. I had done my set and was getting some – ahem – some refreshments and Chloe came on. It was pretty noisy there and the sound system wasn’t quite up to the job, but I could still tell that she had a fabulous presence and a lovely voice. On that day she was accompanied by Ben McGuire on banjo, who was in the Hatfuls for a while and plays on the first EP before heading off to do other musical things. I introduced myself and they obviously saw past my rather overly refreshed demeanour and soon we were playing together.

At the same event the following year, Fred was playing with his other band Porchlight Smoker and Chloe and I were performing as a duo. Fred offered to play some mandolin with us and I brought along James to our first rehearsal with Fred. James and I had played together some years previously in a Cajun/Old Time band called The Crawfish Scrapers with Dave Simner, now of the Curst Sons and fiddle maker Vince Purcell. That first rehearsal was fabulous. Fred and James can really pick and the interplay between them was fabulous. Chloe and I had to pinch ourselves to believe we’d managed to recruit two such fabulous musicians.

I’ve heard you described as Bluegrass, British Folk, Appalachian – all terms I’m aware of but don’t really understand – how do you describe yourselves?

Well those are certainly are our influences! Being and sounding British is important to us and we are looking to retain that in the sound whilst staying true to the classic stringband format. We aren’t bluegrass as we don’t have a Scruggs style banjo sound, although the rhythms are all there and James and Fred trade licks like the bluegrass guys.

The name, ‘Hatful of Rain’ conjures many images – why did you choose the name and what does it mean to you?

“Got a head full of lightning and a hatful of rain”, from the Tom Waits song Long Way Home. Yes it’s got a melancholy feel to it, but we’re actually very cheerful!

How did the link up with the Union Music Store record label come about?

Well Jamie and Stevie are real afficionados of all things rootsy – we couldn’t have escaped their attention for long! They’d come along to a few of our gigs and soon we got to talking. They’d released Jamie’s album and an EP by Zoe Brownrigg and we liked them both. They had a good business background and an enthusiasm for what we were up to which was hard to resist! They have brought so much to the project and really helped us attract attention – we wouldn’t be speaking to you now if it wasn’t for Union Music Store.

You can only save 5 records from your collection…..what would they be?

Sorry did you say 50 ;-) ? This is really difficult! My 5 would be “Time The Revelator” by Gillian Welch, “Sticky Fingers” by the Stones, Dylan’s “Blood On The Tracks”, “Heartbreaker” by Ryan Adams and “Be Good to Yourself at Least Once a Day” by childhood favourites and Welsh psychedelic pioneers Man – good advice too J.

You now have a video for ‘Way On Up The Hill’. Is this the first video you’ve made? Who was the most natural in front of the camera?

I’m fairly new to videos, there are a couple, but I’m not telling you where you can see them (no, not that sort of video..) Chloe was wonderful in front of the camera, all first take stuff and she sells the song just enough but no more. I couldn’t keep a straight face.

Your debut album is out soon. What’s it all about?

Well hopefully it sounds coherent – as if it’s produced by the same people – but I don’t know if it’s about anything other than us having a great time. If anything, it reflects us finding our feet together. We are already looking forward to recording the second. In many ways the feel of the record is influenced by Jamie and Stevie, particularly the sleeve, the video and their help in the final aspects of recording and the track listing. Chloe has written most of the songs, one with James who contributes one instrumental. Fred brought “Welcome to the Family”, which is a tender song about family dysfunction, whilst mine in “Rockin’ Chair Daddy” is a bit autobiographical – about growing up in Wales, loving American music.

The hidden gem is Chloe’s “Exit Song” which, at this moment no-one to my knowledge has played on the radio. The first time I heard it sitting at her kitchen table I had to get the hankie out – it’s one of the most beautiful song of love-lost I’ve ever heard. I really hope no-one ever plays it to Simon Cowell.

Are the songs new or ones you’ve been playing for a while?

Bit of a mixture, none had been around for more than a year.

How does the song writing process work within the band?

Chloe wrote most of the songs for the album with contributions from the rest of us on particular tracks. Whoever writes the song, the process seems similar. The writer fetches up to rehearsal with the lyrics, melody and chord patterns and the whole band does the arrangement, adds instrumental flourishes, etc.

How difficult was it harnessing the energy of a live performance within the confines of an album?

We recorded the album in a converted barn, which was nice because it allowed us to play mostly live. Recording always involves that dynamic of energy, whilst playing with sufficiently accuracy to meet the demands of repeated listening. We were delighted to be helped by Simon Scardinelli who recorded the album on his Dr Scardo’s mobile unit, which worked very well. We were pretty relaxed about the whole thing and had a good time, which was in part due to Simon’s steadying influence and forensic ears!

Hatful of Rain are hosting a festival – which 5 acts would you ask to play with you?

Do they have to be alive? If not Hank Williams, Gram Parsons, Sandy Denny, Lowell George and Elvis.

What does the rest of 2012 have in store?

Reaching more audiences by getting out and gigging. Finishing writing the second album. Playing at a couple of great festivals – I’m particularly looking forward to being on the same bill as Jason Ringenberg, Otis Gibbs and the Toy Hearts at Maverick Festival at the end of June (29th, 30th & 1st July).

The Hatful of Rain Album is out 30th May on Union Music Store: www.unionmusicstore.com

All of these excellent photos are by Bob Russell Photography http://www.facebook.com/pages/Bob-Russell-Photography/216781678335227

http://www.hatfulofrain.co.uk/

News #3: Donna Fullman Album Launch

Brighton based singer/songstress Donna Fullman is celebrating the release of her debut album, Inner World, at the Green Door Store in Brighton.

We’ve had a sneak preview of Inner World and can confirm that it is a very beautiful thing, an obvious labour of love it as at times introspective and haunting whilst managing to ultimately remain uplifting and accessible. Donna’s vocals remain the centre piece of her work but are augmented by some excellent musicians. Oh, I should also mention it’s got plenty of top tunes!

Hopefully someofitistrue will post an interview with Donna soon, in the meantime take the time to discover Inner World.

Details of the release gig are below, hope to see you there.

News #2: MonoTribe Music Launch Party – May 14th

If you have any energy after The Great Escape Festival then why not check out the MonoTribe Music launch Party on Monday 14th May at Sticky Mike’s Frog Bar, Brighton.
More info from MonoTribe themselves below:
MonoTribe Music is a new forward thinking label based in the Brighton and surrounding area. We are a versatile collective comprising of Northbrook Music Business students (first year), aiming to bring you the best sounds from across the board. We have a collection of artists from different areas of the UK and are planning many releases in the near future.
Info on launch:

Live Music From…

BLUEBELLE (Brighton)

MAISIE ASHFORD (Lewes) Maisie has had to cancel due to exams but is still a MonoTribe artist (will hopefully be released on the MonoTribe Music record label in the near future)

DORRIS (Manchester)

DISCOVER A LION (Brighton)

Plus DJ Sets from…

DJ REKWEST & SAMI NICKS (Ten Tonne Beats) (LDN/Worthing)

FLATLINE (Audio Doughnuts/Irish Moss) (LDN/Brighton)

& MORE.

Sticky Mike’s Frog Bar (Formerly The Jam), 14/04/2012

FREE BEFORE 9PM/£3 NAMES ON THE WALL/£4 AFTER.

MonoTribe Music’s Soundcloud

MonoTribe Music’s WordPress
MonoTribe Music’s Twitter:
MonoTribe Music’s WordPress
MonoTribe Music’s Facebook
Info on Maisie Ashford: Facebook

News #1: House of Hats Video

As you know we love House of Hats here at someofitistrue. Therefore we were excited to see a new video posted on YouTube. We love it and we expect you will as well. Nothing more to say but enjoy!

Album Review #4: Stylusboy – Four Walls

Stylusboy – Four Walls

The team at someofitistrue are already fans of the tunes of Stylusboy, and have previously interviewed main man Steve Jones via the wonders of the internet.  Safe to say that we have plenty of time for his new live album, Four Walls, which was released in early 2012.

Stylusboy is the consummate modern day troubadour, his ‘have guitar and tunes will travel’ approach is perfect for the internet age, as acoustic music is coming back in vogue and word of mouth quickly spreads throughout the global village.  Four Walls was recorded at ‘house shows’, Steve’s great way of taking his music to his audience, of course he can play in your kitchen, living room or private party.  This is just one of the approaches that Steve uses to get his music out to the wider public.  The whole ‘pay what you can’, hand made sleeves, mp3 or flat format download options, really helps to bring the artist and audience together and Steve manages these perfectly to get his tunes out to the world.

Stylusboy is a singer songwriter in the Nick Drake tradition, perhaps not as revealingly personal in his lyrics as Drake, but sharing the same knack of incorporating a great melody.   Stylusboy is a bit of a musical magpie, taking various influences as you would expect from any artist working within similar musical territory.  The appeal of singer songwriters is all about the honesty, hooks, musical stories and audience rapport, all of which Stylusboy has mastered with ease.

Four Walls is a blast through what is effectively his current best of set, with catchy tunes such as Beyond the Flags and Whole Picture sounding great in the live setting.  This is possibly actually a better environment for Steve to work in than the studio, as he is able to feed off the audience and enthuse the tunes with some additional zest.

Our favourite tune of this set is Stopclock, as we feel the live setting really makes this song unique within the Stylusboy cannon.  Here for us it sounds like he is channelling the great Neil Young on one of our favourite recordings of his Will to Live.  The two sound nothing alike in terms of tune or lyrics, it’s the live vibe that does it for us, both sounding like the they are recorded around a fire, late at night and in the company of friends, which is probably the truth for both of them.  It’s the song for us on this collection that is pushing Stylusboy away from his more traditional fare, and approaching something that is more edgy, revealing and personal.   It’s the most atmospheric piece in the collection and for us works better than the version on the Fingerprint EP.

If we have a minor grumble, it’s the mobile phone buzzing that interrupts a couple of the tunes.  We can understand why these have been included and agree that they are all part of what happens at a live house show, but for us all the best live albums have a bit of touching up in the studio afterwards and we would have preferred if these had been erased, although this doesn’t detract at all from the overall recording.

Ultimately, Four Walls is just a great pop record; catchy tunes that are played well and that capture the live atmosphere perfectly.  Steve’s voice is really emotional throughout, especially on Love’s Tale which for us is another highlight.  One thing we don’t like at someofitistrue are records that outstay their welcome, and at a snappy 33 minutes and nine tracks, Four Walls is perfectly formed, you get to the end and immediately want some more.  A record to cherish.

4/5

Review by @tvermar

http://www.stylusboy.co.uk/

Photo Blog #2: The Staves, Christof, Zoe Brownrigg at Brighton Ballroom 2nd May 2012

Here at someofitistrue we have been fans of The Staves for some time. My good friend Victorsson, who has been following their progress closely, wasn’t going to miss this opportunity to bring along his camera and capture this show, at the lovely Brighton Ballroom. We were spoilt when we found out that someofitistrue fave Zoe Brownrigg was also on the bill. The final act was Christof, and although we were unaware of his work, it’s fair to say that he had charmed most of the room by the end of the evening.

I’m going to let the pictures do the talking, with just one final recommendation that you give the music of all of these bands a listen.

Zoe Brownrigg

Christof

The Staves

Jessica

Camilla

Emily

The Staves

I think you’ll agree that there are many great pictures here. For more from this gig, and many other, please check out the Flickr stream of Mr JVictorsson http://www.flickr.com/photos/69693458@N05/sets/72157629954955805/with/7138318341/

You can even follow him on Twitter @jvictorsson

If you like the blog please sign-up for regular updates – thanks for taking the time to find us!

Gig Preview #2: Bowerbirds @ The Haunt, Brighton, 5th May 2012

If you’re looking for a gig this bank holiday weekend, why not check out Bowerbirds at The Haunt in Brighton? Their recent album, The Clearing is an understated gem full of great songwriting that conjures both vivid landscapes and heartfelt emotions. It is a thought provoking piece of work, so when I had the chance of asking Bowerbird Beth a few questions, I brought my A-game and then I asked her about the tour van!

How is the tour going? Where are you now?

The tour is going great.  We are on our way from Antwerp to London right now.  We are opening a show with Dry the River, who supported us on our North American tour this Spring.  It’s a nice trade-off.

Will you have any energy left by the time you reach us in Brighton? ;-)

Yes, and we have the day off after the show, so we know we can sleep in the next day.  Which means we can use up every last bit of energy we have left, if need be.

What can we expect from a Bowerbirds live show?

If anyone has seen us in the past, we travelled with three or four musicians, and we were pretty quiet and mostly acoustic with a lot of vocal harmonies.  We still have the harmonies, but now we have five musicians, and the show gets louder and is more dynamic overall.  There are still quiet moments, but they are interspersed with more intense ones.We are really enjoying playing the new songs and also re-interpreting some of the old songs with the added members.

I‘m loving the new record, are you pleased with the reception so far?

Thank you.  Yes, it seems like some people are really getting into the record.  It sometimes gets misunderstood as simple folk music, and when looked at from that angle, a person might not see the complexity that is masked by the more accessible aspects to the songs.  But when people do get what we are doing, we are really appreciative.

What’s your favourite song to play live?

Everyone in the band has a different favorite, and we have a hard time making set lists.  Right now, I like playing Death Wish or This Year best.

For the uninitiated, how would you describe Bowerbirds? Who are your influences?

We are influenced by all kinds of music: dubstep, African kora music, 60s and 70s rock and folk, jazz, Alice Coltrane, Charles Mingus, movie soundtracks, Beyonce, and basically anything we hear and like.  We draw from a lot of sources, but mostly are trying to be as original as possible.  We really don’t want to sound like other artists.

What’s going on with all the Vans?

Yeah, our North American tour involved a lot of van breakdowns.  It started with a minor repair, during which the mechanic dropped a bolt into the engine, had to take the whole thing apart, and then couldn’t figure out how to put it back together again correctly.  So our van was haemorrhaging oil the rest of our journey and kept breaking down.  We think it is totally ruined.  We abandoned it in Mississippi and will deal with it when we get home.  We had to rent a lot of other vans along the way.

Have you been to Brighton before? How was the reception?

We have played Brighton once, back in 2008.  It was really fun.  We played with another band, who did a cover of Rihanna’s Umbrella, which made our month, because that was the song we had been singing in the van.

I see you are playing Lollapalooza. What would be your dream festival line up?

Radiohead, Archers of Loaf, Toumani Diabate, Alice Coltrane, Cat Power.

Bowerbirds are supported by the excellent Early Ghost who are always worth a listen. Hope to see you there!

For tickets http://www.seetickets.com/Event/BOWERBIRDS/The-Haunt/609771

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