The Music Doesn’t Stop #5: Zoë Brownrigg

Anyone who knows me well will have heard me singing the praises of Union Music Store in Lewes over the past 12 months. Of the many artists they have introduced me to, local girl Zoë Brownrigg has proved one of the most interesting. Obviously standing out as the only female in the excellent Early Ghost, Zoë has also released her first solo EP ‘Not Once Did I See Your Face’.  Her strong yet ethereal voice, ear for a great melody and always interesting songwriting, make the EP a real gem.

Zoë very kindly agreed to have a chat with someofitistrue. I hope you like what you read and please do give Zoë’s EP a listen.

How did the solo EP come to be?

Well I had been gigging the songs for a couple of months, when I managed to secure an in-store at the Union Music Store in Lewes – a shiny, new shop selling country/folk/Americana CDs, instruments and their paraphernalia. I played my usual set with my partner Sam Allan accompanying with various instruments (mandolin, second guitar, hand clapping, etc) and apparently caught the attention of the owners, Jamie and Stevie Freeman. Pretty soon after we were discussing recording and releasing me on their label. Following a couple of months plotting, scheming and recording it was released on September 10th 2011.

It has a very fine cover – did you design it yourself? What does the mask symbolise?

Why thank you! Sam took the cover shot in his living room and then edited it to get that floaty misty-pink feel.  I’m wearing the mask to mirror the title ‘Not Once Did I See Your Face’ (which is a line taken from the song ‘Ahead of us Yet’) which reflects on how, certainly in my dreams, people’s faces tend to be ever-changing or perhaps not there at all and yet you can have a really strong sense of who that person is.

What, to you, is the pivotal song on the EP and why?

Although quite a simple song, I think ‘Smooth Edged Stone’ has a particular significance on the EP- it has quite a strong message of independence and determination. I think it also sums up the sound of my first couple of years as a musician with the use of harmonies and finger picking.

Your song writing seems way beyond your years – any ideas why?

Isn’t it true that everyone’s maturing quicker these days? However, I have read a lot from a young age; fantasy or period novels taking centre stage. I think I learnt quite quickly that sometimes you don’t want to read or hear about normal, every-day stuff, that poetic language provides a beautiful escapism. I love finding my own meanings in other people’s songs and I hope people can find theirs in mine.

What is going to be your next musical output?

Well, alongside recording a debut album with my other musical project Early Ghost- a six piece experimental-folk-rock-type-thingy band, I’m writing for a second solo EP which I think will have a slightly different sound; I want to experiment with different instruments and effects and try and give a bit more ‘atmosphere’ to my songs. I think I’ll also go under a more inclusive name, like a band name, as I want to start collaborating a lot more and think ‘Zoe Brownrigg’ is too limiting almost, I want it to be a group effort.

Is Lewes a good place to be for an aspiring musician?

It’s certainly a nice, safe little cubby-hole to incubate creativity in- there are limited venues (some pubs, a converted church and the Union Music Store’s shop window), but they’re comforting and familiar and there’s a strong community spirit in Lewes- especially when it comes to music. There’s also a convenient rail line to Brighton or, if you’re feeling really brave, London. But it’s always nice to come back to Lewes.

Who are your key influences as a songwriter?

I honestly don’t know, as I don’t think I can hear much of the artists I listen to in my songs! But I suppose it must come from somewhere, so I’ll list some of the artists I’ve listened to a lot over my song-writing years so; Jose Gonzales, Johnny Flynn, Beirut, Fleet Foxes, Bon Iver and Laura Marling. Of course, I didn’t grow up listening to these songs so they are recent influences, I could play the usual ‘The Beatles, Nick Drake, Bob Dylan’ cards as they were frequently played by my dad in the times before I discovered S Club 7 and the usual pre-teen rubbish. But I think I preferred jumping and dancing on the table to his various compilation albums such as ‘We Love Life’ or the 60s classics ‘Peace and Protest’.

What were your favourite Albums of 2011?

The Middle East - I Want That You Are Always Happy

Paul Thomas Saunders – Lilac and Wisteria

Bon Iver – Bon Iver

Fleet Foxes – Helplessness Blues

Ever thought of auditioning for X Factor?

No.

Any New Year’s resolutions you are still managing to keep?

No.

What are your hopes and fears for 2012?

I wouldn’t want to start the year with any fears! I never think about limitations, only what I want to achieve. Over this year, I’m hoping to release a second EP and be part of a house concert tour of the UK.

Zoë’s EP ‘Not Once Did I See Your Face’ is out now on the Union Music Store record label www.unionmusicstore.com

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The Music Doesn’t Stop #4: Alice Gold

In ‘Seven Rainbows’ I believe Alice Gold created one of the best albums of 2011.  Don’t take my word for it, give it a listen and then let me know what you think. It’s a diverse beast, which constantly turns an unexpected corner leaving you, the listener, wondering where the hell it’s going next! Victorsson loves Alice and he is well versed in these things.

In March, Alice’s tour will be passing through Brighton’s Green Door Store and she very kindly agreed to have a chat with #someofitistrue.

How did you get into music? What are your artistic roots and is the direction you are currently taking the one you always wanted to follow?

I got into music because I’ve always written songs. I wrote my first complete pop song at 8 years old with an imaginary band in my head. I taught myself guitar at 12/13 and grew from there really. I started performing solo in my local town at 15 and in bands at 16.

I always aim to write accessible pop songs with a strong melody and meaning that other people can interpret in their lives. I hope I achieved that partly with Seven Rainbows and am in the middle of writing the follow up record…and have that aim at the forefront of my mind.

How much, and what sort of preparation, goes into a tour/ gig – on a personal level, not logistically that is?

Lots of preparation goes into Touring. I spend time visualising the show in my head and thinking of ways to showcase the song writing etc. Bringing across the lyrics and feelings of my songs is really important to me so that the emotional elements are shared in the best way for everyone to share and relate to. Fitness is important too, especially on this next tour with 5 consecutive nights. It can be very draining if you give everything of yourself each night; one has to be relatively fit physically to cope with that well. This was learnt the hard way unfortunately…I followed the Eels around Europe in 2010 playing solo…I was driving myself sometimes 8 hours a day and performing every night…and was drinking Jack Daniels and smoking with them most nights, but they could fall asleep in their buses and wake up in the next city! I broke down on gig 8 in Vienna and had to start looking after myself better.

‘Seven Rainbows’ is very eclectic record – I just cannot pin it down (this is a great thing in my book) – did you always plan it this way?

I didn’t plan that at all. We just recorded the songs the way they came out – whatever felt right. Many people believe it’s eclectivity is why it hasn’t gone mainstream. But, like you, I love it for this very reason and wouldn’t have it any other way. The songs were all written quite a few years apart, because of the journey I had been on trying to release my music. A previous deal with EMI had fallen through and I had been a travelling hobo before that…so the album had to represent that journey somehow…it’s a very honest record.

‘Orbiter’ is my current fave – can you share an interesting fact about that tune?

It was the last tune written for the record and is about the power belief in each other has. How when someone believes in you, you spread your wings and become everything you are – it’s so easy in life to stoop our shoulders and not fill our potentials. It’s an uplifting song, and great to play, trying to capture those ideas.

Now the record has been out a while, do you have a favourite track, and if so why has it taken on that extra importance?

‘And You’ll Be There’ has always been the most important track to me. It is all about having hope about getting to where you want to be and finding the inner voice in yourself. I wrote it for a friend at the time, but I guess I was also soothing myself when I wrote it. Whether you do ever reach the garden, with sunlight in your hair, with everybody there, we’ll never know…but trying to get there and believing it is possible is the message I wanted to convey.

What were your favourite records of 2011?

Connan Mockasin ‘Forever Dolphin Love’ & Thurston Moore ‘Demolished Thoughts’.

What does Alice Gold do in her spare time?

Read lots of poetry before bed. I’m no good at long books because I’m quite impatient and love bite size poetry. I love going out in London to different events and exhibitions, art galleries. I also love escaping London to the country for long walks and long lunches with mates!

What’s the toughest gig you’ve played?

Too many to mention.

Have you played Brighton many times before? What’s the reception like?

I’ve played many gigs in Brighton over the years…last year I did an acoustic set outside during the festival and the reception was fab…lots of friendly faces in the sunshine. You have some cool venues…so it’s always a pleasure especially with a brisk walk along the beach after sound check usually.

We are looking forward to welcoming Alice back to Brighton at the The Green Door Store in Brighton on the 14th March: http://www.thegreendoorstore.co.uk/index.html

Find out more about Alice: http://www.alicegold.com/

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The Music Doesn’t Stop #3: Stylusboy

Hailing from Coventry in the UK, Stylusboy plays Indie-folk. His ‘Whole Picture EP’ is a very fine listen and he must surely be one of the hardest working musicians on Twitter! Ladies and Gentlemen please welcome Stylusboy to the blog and do give his music a listen – it is well worth your time.

Who is Stylusboy, what does he do and where does the moniker come from (assuming it’s not your real name!)?

No you’re right it isn’t on my birth certificate! My name is Steve Jones and Stylusboy came about when I was creating an email address. I wanted a memorable address and using my name in my email meant it had loads of numbers in it! At the time I was in front of a well-known printer and thought stylus sounded cool and then just added the boy on the end. When I started writing and recording these folk songs I put them online as Stylusboy, as I felt it sounded a bit more interesting than using my name!

Tell us about your latest EP ‘Whole Picture’

Whole Picture EP is a 6 track EP that was released in June by Lazy Acre records (http://lazyacrerecords.blogspot.com/). It is a pay what you want release where you name your price for it via bandcamp or at gigs.

I recorded with my friend Chris in his studio over lots of evening and weekends. Chris was brilliant to record with, as he really challenged me musically and creatively. The songs are about my family, forgiveness, loss and hope and all sorts of other things.

The physical EP comes in a handcrafted cover which I make myself. When people buy the EP they also get a second copy of the EP to pass on to someone else who they think will enjoy it.

Have you found that you return to recurring themes in your music? If so what are classic themes in Stylusboy lyrics?

I ask a lot of questions of life in my lyrics and make observation and comments I guess. I talk a lot about my family and things like hope, love and loss.

I think my favourite tune on the EP is, ‘Beyond the Flags’, what is the story behind that song?

Beyond the Flags is inspired by a story I read about an Australian swimming in an open water swimming club. In this club he was always told that he had to swim inside the flags, but no one ever explained why. After a few years he kept asking if he could swim beyond the flags, but was never allowed. So after a while, he left the club and decided for himself where to swim. So the song talks about doing things differently and actually how the swimmer found more happiness and peace when he did things a little bit differently to the way he was always told to.

I love a vocal harmony and you do this very well – who do you sing with on this EP?

I sing with Rachel Grisedale who is a good friend. I met her a number of years ago when I recorded my first EP ‘Fingerprint’, and I asked her to sing on it. After that she sang at some of the live gigs and now we are writing songs together. Beyond the Flags was actually a collaboration too.

There is lots of interesting instrumentation on the EP – what instruments can we find on there?

On Whole Picture I play acoustic guitar, bass, glockenspiel, a little bit of banjo. My friend Chris played the keyboards and Tim played drums. Another friend of mine Pete played Cello too.

What is your musical history/background?

I learnt to play guitar when I was a teenager and I have been in a couple of loud guitar bands that did pretty well. I’ve also played in a band called Kanute who are still around. They are an amazing hip-hop/dance band. I can’t read music and a lot of what I what write are chords that I work out that sound good together!

Stylusboy seems quite a mellow chap – does he have a hard rocking alter-ego?

I guess I am pretty mellow really! In terms of music I like all sorts of music and some loud guitar bands like Idlewild, Pearl Jam and Switchfoot. I still have my telecaster and amp which one day may make an appearance!

I became aware of your music via Twitter – how has the new social media helped you as an artist?

Twitter is brilliant. I love how it allows people to connect with other people and build friendships. For me as an artist it is great to write, record and perform songs and before things like Twitter I could only connect with fans while at the gig or through email. Now I can ask people about songs when I demoing, then after the gig too. However, I also just enjoy getting to know people generally and I discover an amazing amount of creativity through Twitter like singer songwriters, bands, photographers, bloggers (like yourself), artists and film makers.

You’re always up to something original – living room gigs, remixes etc. What else have you done/do you have in the pipeline?

In the New Year I am going to be releasing a remix EP and a little live album which I have recorded at the house shows I played earlier in the year. I recorded the shows on a little hand held digital recorder and they have a great bootleg feel to them. They are not perfect recordings and they are not meant to be by any means, but they have a lovely vibe about them.

Please tell us about your video project

I am going to be making a video with my friend and film-maker Laura Meades, who I actually met through Twitter. A number of people are currently remixing the songs from my Whole Picture EP and the video is going to be for the remix of ‘Something Worth Keeping’. Last Christmas one of my favourite bands, Sleeping at Last, asked people to send in film of Christmas things for a video they were making. I contributed some and it features in the video, so I was inspired by this idea. I have asked my fans to send in photos of things that are worth keeping, things that are special to them. People have now sent in some lovely photos of things like special places, their first car and wedding rings. I am beginning filming with Laura in the New Year which I very excited about.

What’s coming next in regards to musical output?

As I release the remix EP and live record I will continue to write songs for my album. I currently have 5 songs written and am now working on more. I am not planning a time scale for this as it is not something I am going to rush. It will be recorded and released some time in 2012 hopefully!

Do you have any gigs coming up? Where can we find out about them?

Yeah I have a number of gigs booked for 2012 included the Warwick Arts Centre in February. This is a lovely seated theatre venue. You can find out about my gigs by joining my mailing list or looking at: http://www.Stylusboy.co.uk

You can follow me on Twitter (@Stylusboy) and ‘like’ my Facebook page http://www.facebook.com/Stylusboy

Musical Influences – who would you say are your top 3?

Although it’s not obvious in my music, Elbow are a huge influence on me – I just love their songs; the emotions that they portray and the interesting melodies and rhythms. Also I am a big fan of Laura Marling, I think she is an incredible talent. Last night I was listening to Document by REM for a new blog project I am involved with and I realised how much they actually influence my music. Lyrically, I like Michael Stipe’s imagery and style of melody. My influences change quite a bit!

What have been your fave records of 2011? 

I think Laura Marling’s album is brilliant and one of my highlights definitely. I have been listening to a lot of records that I already own this year. I am involved in a project on a blog called Compact Discussion, where I am listening to and writing about an album a week I already own which is great!

Is there a big/strong music scene in Coventry? Who else should we be looking out for?

Coventry has a very strong music scene, but sadly the masses are not always that interested in it. There are a number of brilliant singer songwriters around like Al Britton, Wes Finch, David Sanders, Cliff Hands and Kristy Gallacher. There are some great bands like The Shackletons, Shockparade and Sympathy State.

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