Some new tunes that have caught our attention this weekend.
Thyla – Us And Them
I started writing something about a post-rock vibe, layers of shoegaze vocals and driving bass, but got kinda lost. Simply put, if you like your guitars loud with a shimmering vocal you will love this tune.
This is our first encounter with Brighton based Thyla and if the quality remains this high we cannot wait to see what comes next. Brighton show coming up on 7th December
Keiandra – Wanted
Newcastle based Keiandra melds the beautiful melancholy of Daughter with the erm, beautiful melancholy of Liza Anne, to produce something rather lovely. There is plenty going on in this slowly evolving, multi-textured work to keep you interested – a very promising debut.
Posted by someofitistrue on November 23, 2015
This blog was inspired by our first ever trip to Airwaves in 2011, and we are just back from our 3rd stay in Iceland.
Iceland Airwaves is a festival that has never disappointed. Reykjavik is a great city and the festival does an amazing job of keeping everything fresh – I think this time out we must have been to at least 7 or 8 venues that we’d not been to before. Of course any festival stands on the strength of its music and Airwaves has the trump card of the top quality Icelandic music scene. There really are a host of excellent bands from both the city and beyond, and it is these bands that bring us back again and again. Don’t get us wrong, the festival does an excellent job of mixing and matching bands and artists, but for us it is the chance to see the Icelandic musicians that is key.
Over the next few posts we will bring you some of the highlights from our week in Reykjavik.
WESEN were a band that were off our radar until late in the festival, in fact a stumbling upon them was a fine example of what makes Airwaves so great! We’d been to see Oyama (they will come up again in future blog posts) play earlier in the day and got chatting to Julia from the band, she told us about her other band/project, so we found ourselves tipping up at Hurra with no idea what to expect.
WESEN are a duo, with Julia leading on vocals and keyboards and Loji providing the beats, vocals and dance moves. Their music is based around dream-like vocals over sparse beats, however these aren’t straight-forward ambient exercises, tracks like Virgin Eyes and The Low Road are cool pop-songs with hooks and catchy choruses, just played a little slower than normal!
There are currently only three tracks on WESEN’s Soundcloud, but there were plenty more songs in the live set – a band to keep an eye on for sure.
Posted by someofitistrue on November 13, 2015
Stranger Cat – Red
Stranger Cat have just put out a video for Red from their debut LP In The Wilderness. The PR stuff refers to Twin Peaks, but as I’ve never seen the show my points of reference are Punch & Judy, The Prisoner and The Wicker Man. Basically weirdness, magic and ruined mascara happen when someone invites themselves into a house. Nicely observed video for a cool track that fuses synths and vocal loops to hypnotic effect .
Co-Pilgrim – You Come Over, You Go
The prolific Co-Pilgrim are back with a new album Slows to Go, their third in three years. Most importantly the quality of Co-Pilgrim’s output remains high and on this track, You Come Over, You Go the band successfully fuse Americana with a more jangly late 80s guitar pop. The harmonies melt into each other and the whole thing bounces along at a jaunty pace – the sound of a confident band on a sure footing – which is what the video shows you. Understated, clever and satisfying pop music.
Charlotte Carpenter – Wasted
We are back in the forest for Charlotte Carpenter‘s video for Wasted. We’ve talked about how much we like this track previously and the video does a good job of adding further intensity to the song, with a narrative that reminded me a little of Stephen King’s Misery. It’s a quality tune and the video adds to the overall experience.
Posted by someofitistrue on October 18, 2015
A couple of new videos from ‘local people’, Brighton’s The Self Help Group and Lewes based Matthew the Oxx.
The Self Help Group – Luigi’s Waltz
The Self Help Group release second album, Dead Stars on 6th November (Union Music Store). First single Luigi’s Waltz contains the bands signature three part harmonies, but sonically this track and the rest of the LP contain a little more grit and rough edges – all the better in our opinion.
The video is an apocalyptic vision of a future where bearded men lay around in cornfields all day. Thankfully mother nature comes to the rescue, puts the frighteners on them and the world back in order. I think.
Matthew the Oxx – I Am A Crow
I Am A Crow is from Matthew’s album First Aid For The Drowning (Wild Sounds). A dark, intricate work from ‘the Oxx’. The video also includes some laying down, but also grown men drinking out of puddles. I literally have no idea what is going on, but that certainly doesn’t mean I don’t like it!
Posted by someofitistrue on October 12, 2015
Robin Elliott released his 2nd EP, Green Ginger Wine on the 14th September via Folkroom Records. An EP described by its creator as, ““Folk-pop meets financial crises whilst aged alcoholic perverts stumble across the enactment of terrible events enshrouded in suburban woodland.”
Intrigued by both the music and this description (& the outfit), we caught up with Robin;
Robin, on the opening track of your new ‘Green Ginger Wine EP’ you claim ‘Lean Times’ are on there way – are they not already here?
It depends how long your memory is. If all you know is how things are now, how do you know what you’re missing?
And anyway, in the future might not people look back and marvel at the paunch and heft of our times, at the comparatively jocular ruddy-facedness of it all?
One of the things I remember finding striking about the 2008 crash is that it was being reported before it took effect. Everyone knew all this stuff was going to happen, but knew nonetheless that nothing could be done to avert it.
Later I came to accept the belief that crashes of that kind are an inevitable product of the way that that system is operated, and that’s the idea which is the germ of the song.
I found this circularity of disastrous consequences, caused by a system rigged to favour self-interest, spoke to me about human nature (human nature as it stands; I remain an optimist…).
So, I think that, if lean times are already here, it doesn’t mean they aren’t also on their way.
If this idea of a cycle of economic/other disasters is true (and continues to be true), then it’s obvious that the consequences for humanity/the planet in general will be terrible. However, it will mean that I got everything right in my song, and that’s a big plus for me.
It is fair to say you have a ‘velvety’ voice – when asked to describe your vocal style, what do you tell people?
I’m actually singing in a lower range than it sounds like I am. I don’t really understand how that works, but it’s true.
I’ve been told before that it sounds like I’m singing in a Jamaican accent, which I find mortifying. There’s nothing wrong with a Jamaican accent but there’d be something very wrong with me putting one on to sing in. I’m from Merseyside.
If I’m feeling like I can tolerate hyperbole I say I’ve got a voice like brushed smoke. I fluked it, though. That’s the thing about a singing voice, you can’t really take all the credit for it.
You are the only songwriter we can recall, on ‘Gentle Chunks’, singing about vomiting. Is there a ‘canon’ of famous ‘sick’ songs we’ve missed, or is this genre defying? What’s the story behind this particular song – is it ginger wine related?
I wrote Chunks in the aftermath of a reasonably debauched house party. I think I’d been sick and then carried on drinking.
I liked the idea of something revolting actually being a kindness, an in-fact-benign message suggesting that perhaps you ought to stop doing that now. So, again, the party becomes a Big Metaphor for how we’re all doomed. I think at one point I toyed with calling it Fin de Siecle. I was young.
I’m usually more fun than I’m making myself sound.
A cannon of sick? Were you at the party?
You do realise that I’m now going to have to spend my evening thinking up vomit-based puns on famous song titles.
What are your 3 x favourite records? Can you see their influence within the new EP?
The three records with the most audible influence on Green Ginger Wine are probably Five Leaves Left, Songs of Leonard Cohen and the Manchester Free Trade Hall Dylan bootleg. My song Shapeshifter is particularly Nick Drake-y, although my guitar skills are vastly inferior.
However, as I’m sure everyone says, there’s a lot of other stuff mixed in: bits of jazz and blues, Kid A, Nirvana and 90s American alt-rock, Randy Newman, Sam Cooke, The Beatles, Nick Cave’s Your Funeral My Trial…
This is probably one of those situations though where I think all that stuff’s in there but a good listener will put the record on and think “no mate, you’re deluded; it’s Drake/Cohen/Dylan.”
When it comes to Ginger Wine, is Stone’s the pinnacle?
Absolutely. Crabbie’s can do one.
Now you’ve been living with the tracks on the EP for a while, what is your favourite and why?
It’s difficult, I don’t really do favourites. I’m sorry. I don’t really understand how it works.
Read the full post »
Posted by someofitistrue on October 1, 2015
When Charlotte Carpenter played our home-town of Brighton at the end of 2014, the intense authenticity of the performance, coupled with plenty of good songs, left us enthralled and eagerly waiting for more.
The raw electric sounds of the two EPs to date, Whole and Take It All stand up well to repeat listening. Musically they are stripped back affairs, Charlotte and her guitar hooking you in, but stopping short of sharing the full secret. ‘If I Could’ is a prime example of CC leaving the listener begging to know more!
Last week saw the release of new track ‘Wasted’, from the upcoming Fault Line EP, and from the off you can tell Read the full post »
Posted by someofitistrue on September 17, 2015
We make no excuses for our continued admiration of the musical output from Liza Anne. The sophomore album Two, continues to impress with its rich emotional depth and haunting musicianship.
Liza has just released this solo, stripped down, piano version of album track “Ocean” recorded at The Chapel Studios in Nashville, TN.
If this is your bag then we strongly recommend you track down Two and its predecessor, The Colder Months.
Posted by someofitistrue on August 31, 2015
Brighton is home to numerous great bands, and also attracts a lot of excellent musicians who set up camp on a temporary basis. Today’s run through of new releases incorporates both!
The Standard Lamps – The Model World
someofitistrue faves, The Standard Lamps are riding the crest of a wave after recent support slots with The Who and recording at Abbey Road. The Model World is a fine example of what ‘the lamps do so well – straight up, blues-infused rock’n’roll!
Mara Simpson – Lighthouse
Mara recently relocated to Brighton from Berlin (although a quick glimpse at her Facebook page and you’ll see a heavy touring schedule will keep her out of town for a while!) You can listen to a preview of Mara’s new EP here- we look forward to seeing Mara play a hometown show soon!
The Self Help Group – Prisoner (Small World Orchestra Remix)
To tide us over whilst we await the completion of the bands sophomore album you can grab yourself a free download of this remix of Prisoner. The beautiful three-part harmonies remain front and centre, but this remix has them floating on a bed of lush ambient sounds.
Capt. Lovelace – /* Preview Pane */
Capt. Lovelace (aka Beattie Wood) is another new arrival in Brighton, and based on what we have heard on /* Preview Pane */, a welcome addition to the cities rich musical tapestry. Capt. Lovelace will be playing their first shows in town soon so check out the Facebook page for details – and enjoy these tunes x
Posted by someofitistrue on March 20, 2015
The countdown continues……#15 – #11
#15 Attica! – Wussy
Another excellent record from Wussy, and hopefully the one that will push them on to an even bigger fan-base. Teenage Wasteland is one of our favourite tunes of the year, “When the kick of the drum lined up with the beat of your heart”….sweet x
#14 Are We There – Sharon Van Etten
The superb follow up to the brilliant Tramp, saw us fall in love all over again with SVE.
#13 Cursing The Sky – September Girls
A fuzzy, scuzzy, snarling record….with some corking tunes driving it all along!
#12 Mirrors the Sky – Lyla Foy
The debut LP from someofitistrue favourite Lyla Foy did not disappoint. A beautiful set of songs, with Lyla’s voice sounding pretty perfect.
#11 Nothing Can Bring Back The Hour – Josienne Clarke & Ben Walker
Josienne’s voice and Ben’s guitar have long been excellent companions. Nothing Can Bring Back The Hour built on this with amazing orchestral arrangements and some brilliant writing – a stunning record.
Posted by someofitistrue on December 29, 2014
As we collectively turn our attention to new year, we will resume our countdown of our favourite Albums of 2014.
#20 Overdrive – Shonen Knife
First and foremost, this record is a lot of fun, but underestimate it at your peril – there are a host of cracking rock tunes, riffs and hooks within these 10 songs.
#19 Silkidrangar – Samaris
Samaris provided their first full length album and it was as good as we hoped. Always intriguing, the band continue to get better and better. The beats, clarinet and vocal weave magical spells throughout.
#18 Small Town Heroes – Hurray For The Riff Raff
Alynda Lee continues to show us all what an exceptional songwriter she is on Small Town Heroes. If that’s not enough the live show is amazing as well!
#17 Fumes – Lily & Madeleine
Lily & Madeleine were back in 2014 to build on the success of their eponymous debut album. Top quality.
#16 Conversations – Woman’s Hour
We were slow to catch on to Woman’s Hour, but after great shows at SXSW and Liverpool Sound City we suddenly understood what all the fuss was about. The album is a gorgeous collection.
Posted by someofitistrue on December 27, 2014